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Decoration

any type of adornment

Decoration is the act of adorning, embellishing, or honoring; ornamentation. It is that which adorns, enriches, or beautifies; something added by way of embellishment; ornament. Specifically, it is any mark of honor to be worn upon the person, as a medal, cross, or ribbon of an order of knighthood, bestowed for services in war, great achievements in literature, art, etc.

Specifically, it is any mark of honor to be worn upon the person, as a medal, cross, or ribbon of an order of knighthood, bestowed for services in war, great achievements in literature, art, etc.


CONTENT : A - F , G - L , M - R , S - Z , See also , External links

Quotes

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Quotes are arranged alphabetically by author

A - F

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...in the same way as a bishop's mitre, or the Pope's tiara. In the painting of the Nativity, by Szedgkin, a pious artist of Pesth, not only do the Virgin and the Child wear the nimbus, but an ass nibbling hay from the sacred manger is similarly decorated...Ambrose Bierce.
 
We are left to worry about pictorial space almost by default. But, after all, the aim of art is to create space — space that is not compromised by decoration or illustration, space in which the subjects of painting can live. This is what painting has always been about. -Caravaggio.
 
I have sat, a minister and ambassador, covered with gold lace, gaudy with ribbons and decorations, at the table of kings, the feasts of princes and princesses, only to fall once more into indigence and know imprisonment. - François-René de Chateaubriand.
 
Surely there must be some way to find a husband or, for that matter, merely an escort, without sacrificing one's privacy, self-respect, and interior decorating scheme... - Barbara Ehrenreich.
 
At the very moment he cried out, David realised that what he had run into was only the Christmas tree. Disgusted with himself at such cowardice, he spat a needle from his mouth, stepped back from the tree and listened. There were no sounds of any movement upstairs: no shouts, no sleepy grumbles, only a gentle tinkle from the decorations as the tree had recovered from the collision. - Stephen Fry.
  • At the very moment he cried out, David realised that what he had run into was only the Christmas tree. Disgusted with himself at such cowardice, he spat a needle from his mouth, stepped back from the tree and listened. There were no sounds of any movement upstairs: no shouts, no sleepy grumbles, only a gentle tinkle from the decorations as the tree had recovered from the collision.

G - L

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  • The Roman did not perceive beauty in every-day matters, or indeed care to do so. Beauty was unimportant to him. Life in his eyes was a very serious and a very arduous business, and he had no time for what he would have thought of as a mere decoration of it...There were imperative tasks to summon men for all that was in them.
  • Bring from the east, bring from the west,
    Flowers for the hair, gems for the vest ;
    Bring the rich silks that are shining with gold,
    Wrought in rich broidery on every fold,
    Bring ye the perfumes that breathe on the rose,
    Such as the summer of Egypt bestows ;
    Bring the white pearls from the depths of the sea —
    They are fair like the neck where their lustre will be.
    Such are the offerings that now will be brought,
    But can they bring peace to the turmoil of thought ?
    Can they one moment of quiet bestow
    To the human heart, feverish and beating, below ?

M - R

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There were many wooden chairs for the bulk of his visitors, and two wicker armchairs with red cloth cushions for superior people. From the packing-cases had emerged some Indian clubs,… and all these articles... made a scattered and untidy decoration ...
 
If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak. - Herbert Read.
  • There were many wooden chairs for the bulk of his visitors, and two wicker armchairs with red cloth cushions for superior people. From the packing-cases had emerged some Indian clubs,… and all these articles... made a scattered and untidy decoration that Mrs. Clough assiduously dusted and greatly cherished.
  • People would be amazed at the behind-the-scenes activity in hero-making; quarrels over which cases are most deserving; seeing that all ranks and units are properly represented; dressing up weak cases to make them appear stronger; last minute switches from one class of decoration to another. … The number of decorations is determined, not by the number of deserving cases, but by the number and types of medals the admiral totes along.
  • If until now (i.e. 1910-12) colour and form were used as inner agents, it was mainly done subconsciously. The subordination of composition to geometrical form is no new idea (cf. the art of the Persians). Construction on a purely spiritual basis is a slow business, and at first seemingly blind and unmethodical. The artist must train not only his eye but also his soul, so that it can weigh colours in its own scale and thus become a determinant in artistic creation. If we begin at once to break the bonds that bind us to nature and to devote ourselves purely to combination of pure colour and independent form, we shall produce works that are mere geometric decoration, resembling something like a necktie or a carpet. Beauty of form and colour is no sufficient aim by itself, despite the assertions of pure aesthetes or even of naturalists obsessed with the idea of "beauty". It is because our painting is still at an elementary stage that we are so little able to be moved by wholly autonomous colour and form composition. The nerve vibrations are there (as we feel when confronted by applied art), but they get no farther than the nerves because the corresponding vibrations of the spirit which they call forth are weak.

S - Z

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The tattooing in these portraits [in Dr Hocken's collection] ought to suggest the savage, of course, but it does not. The designs are so flowing and graceful and beautiful that they are a most satisfactory decoration. It takes but fifteen minutes to get reconciled to the tattooing and but fifteen more to perceive that it is just the thing. After that, the undecorated European face is unpleasant and ignorable. - Mark Twain.
  • A great novel is concerned primarily with the interior lives of its characters as they respond to the inconvenient narratives that fate imposes on them. Movie adaptations of these monumental fictions often fail because they become mere exercises in interior decoration.
  • The tattooing in these portraits [in Dr Hocken's collection] ought to suggest the savage, of course, but it does not. The designs are so flowing and graceful and beautiful that they are a most satisfactory decoration. It takes but fifteen minutes to get reconciled to the tattooing and but fifteen more to perceive that it is just the thing. After that, the undecorated European face is unpleasant and ignorable.
 
The tradition of painting and decorating oxcarts started in the early twentieth century. Originally, each region of Costa Rica had its own particular design, enabling the identification of the driver’s origin by the painted patterns on the wheels. - Unesco.
  • I enjoy decoration. By accumulating this mass of detail you throw light on things in a longer sense: in the long run it all adds up. It creates a texture — how shall I put it — a background, a period, which makes everything you write that much more convincing. Of course, all artists are terrible egoists. Unconsciously you are largely writing about yourself. I could never write anything factual; I only have confidence in myself when I am another character. All the characters in my books are myself, but they are a kind of disguise.
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