I gotta see them folks that’s gone out on the road. I got a feelin' I got to see them. They gonna need help no preachin' can give 'em. Hope of heaven when their lives ain’t lived? Holy Sperit when their own sperit is downcast an’ sad?
Grampa walked up and slapped Tom on the chest, and his eyes grinned with affection and pride. "How are ya, Tommy?"
"O.K.," said Tom. "How ya keepin' yaself?"
"Full a piss an' vinegar," said Grampa.
To California or any place—every one a drum major leading a parade of hurts, marching with our bitterness. And some day—the armies of bitterness will all be going the same way. And they'll all walk together, and there'll be a dead terror from it.
Chapter 9, pp. 91-92
The western land, nervous under the beginningchange. The Western States, nervous as horses before a thunderstorm. The great owners, nervous, sensing a change, knowingnothing of the nature of the change. The great owners, striking at the immediate thing, the widening government, the growing labor unity; striking at new taxes, at plans; not knowing these things are results, not causes. Results, not causes; results, not causes. The causes lie deep and simply — the causes are a hunger in a stomach, multiplied a million times; a hunger in a single soul, hunger for joy and some security, multiplied a million times; muscles and mind aching to grow, to work, to create, multiplied a million times. The last clear definite function of man — muscles aching to work, minds aching to create beyond the single need — this is man. To build a wall, to build a house, a dam, and in the wall and house and dam to put something of Manself, and to Manself take back something of the wall, the house, the dam; to take hard muscles from the lifting, to take the clear lines and form from conceiving. For man, unlike any other thing organic or inorganic in the universe, grows beyond his work, walks up the stairs of his concepts, emerges ahead of his accomplishments. This you may say of man — when theories change and crash, when schools, philosophies, when narrow dark alleys of thought, national, religious, economic, grow and disintegrate, man reaches, stumbles forward, painfully, mistakenly sometimes. Having stepped forward, he may slip back, but only half a step, never the full step back. This you may say and know it and know it. This you may know when the bombs plummet out of the black planes on the market place, when prisoners are stuck like pigs, when the crushed bodies drain filthily in the dust. You may know it in this way. If the step were not being taken, if the stumbling-forward ache were not alive, the bombs would not fall, the throats would not be cut. Fear the time when the bombs stop falling while the bombers live — for every bomb is proof that the spirit has not died. And fear the time when the strikes stop while the great owners live — for every little beaten strike is proof that the step is being taken. And this you can know — fear the time when Manself will not suffer and die for a concept, for this one quality is the foundation of Manself, and this one quality is man, distinctive in the universe.
Chapter 14, opening paragraph, pp. 156-157
This is the thing to bomb. This is the beginning—from "I" to "we". If you who own the things people must have could understand this, you might preserve yourself. If you could separate causes from results, if you could know that Paine, Marx, Jefferson, Lenin were results, not causes, you might survive. But that you cannot know. For the quality of owning freezes you forever into "I", and cuts you off forever from the "we".
Chapter 14, p. 152
Tom grinned. "It don’t take no nerve to do somepin when there ain’t nothin’ else you can do."
Chapter 18, p. 231
"Well," said Casy, "for anybody else it was a mistake, but if you think it was a sin—then it's a sin. A fella builds his own sins right up from the groun'."
And Ruthie whispered, "Tha's Granma, an' she's dead." Winfield nodded solemnly. "She ain't breathin' at all. She's awful dead."
And the great owners, who must lose their land in an upheaval, the great owners with access to history, with eyes to read history and to know the great fact: when property accumulates in too few hands it is taken away. And that companion fact: when a majority of the people are hungry and cold they will take by force what they need. And the little screaming fact that sounds through all history: repression works only to strengthen and knit the repressed. The great owners ignored the three cries of history. The land fell into fewer hands, the number of dispossessed increased, and every effort of the great owners was directed at repression.
Men who have created new fruits in the world cannot create a system whereby their fruits may be eaten. And the failure hangs over the State like a great sorrow. ...and in the eyes of the people there is the failure; and in the eyes of the hungry there is a growing wrath. In the souls of the people the grapes of wrath are filling and growing heavy, growing heavy for the vintage.
Chapter 25, pp.349 (Everbind book version- bottom of pg. 477)
If you're in trouble or hurt or need—go to poor people. They're the only ones that'll help—the only ones.
Ma Joad, p. 376
“You don’t aim to kill nobody, Tom?”
“No. I been thinkin’, long as I’m a outlaw anyways, maybe I could — Hell, I ain’t thought it out clear, Ma. Don’ worry me now. Don’ worry me.”
They sat silent in the coal-black cave of vines. Ma said, “How’m I gonna know ’bout you? They might kill ya an’ I wouldn’ know. They might hurt ya. How’m I gonna know?”
Tom laughed uneasily, “Well, maybe like Casy says, a fella ain’t got a soul of his own, but on’y a piece of a big one — an’ then —”
“Then what, Tom?”
“Then it don’ matter. Then I’ll be all aroun’ in the dark. I’ll be ever’where — wherever you look. Wherever they’s a fight so hungry people can eat, I’ll be there. Wherever they’s a cop beatin’ up a guy, I’ll be there. If Casy knowed, why, I’ll be in the way guys yell when they’re mad an’ — I’ll be in the way kids laugh when they’re hungry an’ they know supper’s ready. An’ when our folks eat the stuff they raise an’ live in the houses they build — why, I’ll be there. See? God, I’m talkin’ like Casy. Comes of thinkin’ about him so much. Seems like I can see him sometimes.”