- I changed my name when I was about twelve because I didn't like being called Sue or Susie. I felt I needed a longer name because I was so tall. So what happened? Now everyone calls me Sig or Siggy.
- Esquire, January 2010, p. 87
- I had such great teachers in high school who made me feel like I could do anything. Then to go to Yale, where these drama teachers made me feel like shit—if I have any advice for young people, it would be, "Don't listen to teachers who say, 'You're really not good enough.' " Just teach me. Don't tell me if you think I'm good enough or not. I didn't ask you. Teachers who do that should be fired.
- Esquire, January 2010, p. 87
- I’d send out an intergalactic invitation to other species. I guarantee they would not be like the aliens in the movies I did. I think if they can get here, they could be charming. Stephen Hawking said aliens would be coming for our resources. Well, I don’t know what planet he’s talking about, we don’t have any resources to give them! We’re plundering our own planet. Unless garbage and plastic is something they need, in which case, we could work out a good deal.
- Stylist, "Queen of everything: Sigourney Weaver", (2012).
“SIGOURNEY WEAVER`S CLOSE SHAVE” (May 16, 1992) edit
As quoted by Lisa Anderson and Chicago Tribune, “SIGOURNEY WEAVER`S CLOSE SHAVE”, Chicago Tribune, (May 16, 1992)
- There`s only so much bad luck that a person can have. For her to continue to wake up and con-front the alien and resolve the situation, then go back to sleep and wake up to yet another situation-to me, it`s a burden on the whole science-fiction premise of the alien.
- I feel very complete about her. I think she`s more vulnerable. I think she is truly alone. It`s very interesting to play a character who is truly alone, especially a woman, because women are always seen in relation to men or to other woman. It was a very-not to put our audience off-but it was a very existential situation in many ways.
- I guess I don`t think of film as an innovative medium. I guess I feel that film kind of caught up to what`s been happening to women for the last 20 years.
- With the `60s and the `70s, television gave people a real appetite for violence and slickness. And, for a long time, there was a reluctance to put women in that world. Now, we`ve sort of forced our way in-and I don`t think we`re going to leave.
“Dream Weaver" (Dec 3, 1997) edit
Lewis Beale, “Dream Weaver”, Chicago Tribune, (Dec 3, 1997)
- (Ripley is) open, honest and tries to do the right thing. I've always played Ripley as an ordinary person who is in extraordinary circumstances, and doesn't give up. I'm not playing a strong feminist statement; I'm playing this woman who has no one else to rely on.
- "It was never important to me to display my sexuality. I didn't feel like I had to prove I was a babe to anyone. So I think maybe I always took parts based on the story and director, and very rarely on what the character was. (The roles) I get offered (are) isolated women. . . . It is easier for them to see me as a woman on my own. I can have a token love story, but in the end I'm gonna be this strong woman. Maybe it's harder for them to see me in a couples situation."
- I would rather have stayed in the theater and done comedy. Comedy in film (was) so narrow for women. I was much happier doing very black comedy onstage, and I could never find anything of that ilk on film. The closest to what I might have accomplished was `Working Girl.'
About Sigourney Weaver edit
- Weaver has been struggling with forms of acceptance all her life. The daughter of British actress Elizabeth Inglis and former NBC president Sylvester (Pat) Weaver (he created both the "Today" and "Tonight" shows), Susan Weaver (she adopted the name Sigourney at age 14, from a character in "The Great Gatsby") was reared a child of privilege on Manhattan's upper East Side. But Weaver never felt entirely comfortable with her upbringing.
She decided to do a 180 from her expected role in life: during her stay at Stanford University, where she majored in English, Weaver was part of a theater troupe that protested the Vietnam War. She also took to wearing an elf suit, and lived with her boyfriend in a tree house.
"It was very natural," says Weaver. "I had a boyfriend, we both played the flute, we made our own clothes. We certainly didn't attract more attention than anyone else around us."
- Lewis Beale, “Dream Weaver”, Chicago Tribune, (Dec 3, 1997)
"Sigourney Weaver Eludes the Image Police" (1997) edit
William McDonald, "Sigourney Weaver Eludes the Image Police", New York Times, (1997).
- Quickly, in one glance, you begin to understand why, as a tall girl, she was called Amazon by her boarding-school classmates and why, as a beautiful girl, she resented it -- so much so that by her father's account, she went and changed her name from Susan to the more stylish Sigourney, lifting it from an F. Scott Fitzgerald story.
- "I prefer not to have any image, or any one image," she says, now curled on a couch in a suite at the hotel and sheathed in black, one shoulder bared. "It's because I come from the theater originally. My dream, when I was a young actor, was to be in a repertory company, where you could play the maid in one piece and then play the leading lady in another, and go from comedy to drama and really hop all over the place. And I actually realized a long time ago that you can't expect anything to happen; you can't expect anyone else to know what you want, where you want to go next. So I guess what I'm always doing is trying to create this mini-rep company in my head."
- "People don't remember that Sigourney has been one of the first serious actors able to piece together a career that incorporated every aspect of the movie-making spectrum," Mr. Schamus says. "People thought that Bruce Willis had broken that ground in Pulp Fiction. Excuse me? She's been doing this all her life."