The Great Gatsby

The Great Gatsby (1925) by F. Scott Fitzgerald is a short novel which takes place on Long Island during the Jazz Age and is commonly cited as one of the greatest novels of the 20th century.

In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.

Page-numbers refer to the 2004 Scribner edition.

Chapter 1

That's the best thing a girl can be in this world, a beautiful little fool.

• In my younger and more vulnerable years my father gave me some advice that I've been turning over in my mind ever since.
  "Whenever you feel like criticizing any one," he told me, "just remember that all the people in this world haven’t had the advantages that you’ve had."
  • p. 1

• No—Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.
  • p. 2

• I was rather literary in college […] and now I was going to bring back all such things into my life and become again that most limited of all specialists, the "well-rounded man." This isn’t just an epigram — life is much more successfully looked at from a single window, after all.
  • p. 4

• "In two weeks it'll be the longest day in the year." She looked at us all radiantly. "Do you always watch for the longest day of the year and then miss it? I always watch for the longest day in the year and then miss it."
  • p. 11

• All right.[…] I'm glad it's a girl. And I hope she'll be a fool — that's the best thing a girl can be in this world, a beautiful little fool.
  • p. 17

Chapter 2

A valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills...

• This is a valley of ashes—a fantastic farm where ashes grow like wheat into ridges and hills and grotesque gardens, where ashes take the forms of houses and chimneys and rising smoke and finally, with a transcendent effort, of men who move dimly and already crumbling through the powdery air. Occasionally a line of gray cars crawls along an invisible track, gives out a ghastly creak, and comes to rest, and immediately the ash-gray men swarm up with leaden spades and stir up an impenetrable cloud, which screens their obscure operations from your sight.
  But above the gray land and the spasms of bleak dust which drift endlessly over it, you perceive, after a moment, the eyes of Doctor T. J. Eckleburg. The eyes of Doctor T. J. Eckleburg are blue and gigantic—their retinas are one yard high.
  • p. 23

• "I married him because I thought he was a gentleman," she said finally.
  • p. 34

• I wanted to get out and walk eastward toward the park through the soft twilight, but each time I tried to go I became entangled in some wild, strident argument which pulled me back, as if with ropes, into my chair. Yet high over the city our line of yellow windows must have contributed their share of human secrecy to the casual watcher in the darkening streets, and I was him too, looking up and wondering. I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life.
  • p. 35

• People disappeared, reappeared, made plans to go somewhere, and then lost each other, searched for each other, found each other a few feet away.
  • p. 37

Chapter 4

... while church bells rang in the villages alongshore, the world and its mistress returned to Gatsby's house...

• On Sunday morning while church bells rang in the villages alongshore, the world and its mistress returned to Gatsby's house and twinkled hilariously on his lawn.
  • p. 61

• [Gatsby] was balancing himself on the dashboard of his car with that resourcefulness of movement that is so peculiarly American — that comes, I suppose, with the absence of lifting work or rigid sitting in youth and, even more, with the formless grace of our nervous, sporadic games. This quality was continually breaking through his punctilious manner in the shape of restlessness. He was never quite still; there was always a tapping foot somewhere or the impatient opening and closing of a hand.
  • p. 64

• Over the great bridge, with the sunlight through the girders making a constant flicker upon the moving cars, with the city rising up across the river in white heaps and sugar lumps all built with a wish out of non-olfactory money. The city seen from the Queensboro Bridge is always the city seen for the first time, in its first wild promise of all the mystery and the beauty in the world.
  • p. 68

• It was dark now, and as we dipped under a little bridge I put my arm around Jordan’s golden shoulder and drew her toward me and asked her to dinner. Suddenly I wasn’t thinking of Daisy and Gatsby any more, but of this clean, hard, limited person, who dealt in universal skepticism, and who leaned back jauntily just within the circle of my arm. A phrase began to beat in my ears with a sort of heady excitement: "There are only the pursued, the pursuing, the busy, and the tired."
  • p. 79, on the love affairs of Gatsby, Daisy, Jordan, and Nick

Chapter 5

The exhilarating ripple of her voice was a wild tonic in the rain.

• The exhilarating ripple of her voice was a wild tonic in the rain. I had to follow the sound of it for a moment, up and down, with my ear alone, before any words came through. A damp streak of hair lay like a dash of blue paint across her cheek, and her hand was wet with glistening drops as I took it to help her from the car.
  • p. 85, about Daisy Buchanan

• Americans, while occasionally willing to be serfs, have always been obstinate about being peasantry.
  • p. 88

• He had passed visibly through two states and was entering upon a third. After his embarrassment and his unreasoning joy he was consumed with wonder at her presence. He had been full of the idea so long, dreamed it right through to the end, waited with his teeth set, so to speak, at an inconceivable pitch of intensity. Now, in the reaction, he was running down like an overwound clock.
  • p. 91

• No amount of fire or freshness can challenge what a man will store up in his ghostly heart.
  • p. 96

Chapter 6

• The truth was that Jay Gatsby, of West Egg, Long Island, sprang from his Platonic conception of himself. He was a son of God — a phrase which, if it means anything, means just that — and he must be about His Father’s business, the service of a vast, vulgar, and meretricious beauty. So he invented just the sort of Jay Gatsby that a seventeen-year-old boy would be likely to invent, and to this conception he was faithful to the end.
  • p. 98

• He knew women early, and since they spoiled him he became contemptuous of them, of young virgins because they were ignorant, of the others because they were hysterical about things which in his overwhelming self-absorption he took for granted.
  • p. 98

• But his heart was in a constant, turbulent riot. The most grotesque and fantastic conceits haunted him in his bed at night. A universe of ineffable gaudiness spun itself out in his brain while the clock ticked on the washstand and the moon soaked with wet light his tangled clothes upon the floor. Each night he added to the pattern of his fancies until drowsiness closed down upon some vivid scene with an oblivious embrace. For a while these reveries provided an outlet for his imagination; they were a satisfactory hint of the unreality of reality, a promise that the rock of the world was founded securely on a fairy’s wing.
  • p. 99

• It is invariably saddening to look through new eyes at things upon which you have expended your own powers of adjustment.
  • p. 104

• She was appalled by West Egg.[…]—appalled by its raw vigor that chafed under the old euphemisms and by the too obtrusive fate that herded its inhabitants along a short-cut from nothing to nothing. She saw something awful in the very simplicity she failed to understand.
  • p. 107

• He wanted nothing less of Daisy than that she should go to Tom and say: “I never loved you.” After she had obliterated four years with that sentence they could decide upon the more practical measures to be taken.
  • p. 109

• "I wouldn’t ask too much of her," I ventured. "You can’t repeat the past."
  "Can’t repeat the past?" he cried incredulously. "Why of course you can!"
  He looked around him wildly, as if the past were lurking here in the shadow of his house, just out of reach of his hand.
  "I’m going to fix everything just the way it was before," he said, nodding determinedly. "She’ll see."
  • p. 110, Nick and Gatsby, on Gatsby's relationship with Daisy

• His heart beat faster and faster as Daisy’s white face came up to his own. He knew that when he kissed this girl, and forever wed his unutterable visions to her perishable breath, his mind would never romp again like the mind of God. So he waited, listening for a moment longer to the tuning-fork that had been struck upon a star. Then he kissed her. At his lips’ touch she blossomed for him like a flower and the incarnation was complete.
  • p. 110

Chapter 7

Her voice is full of money.

• That any one should care in this heat whose flushed lips he kissed, whose head made damp the pajama pocket over his heart!
  • p. 115

• "Her voice is full of money," he said suddenly.
  That was it. I’d never understood before. It was full of money — that was the inexhaustible charm that rose and fell in it, the jingle of it, the cymbals’ song of it ... high in a white palace the king’s daughter, the golden girl...
  • p. 120

• It occurred to me that there was no difference between men, in intelligence or race, so profound as the difference between the sick and the well.
  • p. 124

• There is no confusion like the confusion of a simple mind, and as we drove away Tom was feeling the hot whips of panic. His wife and his mistress, until an hour ago secure and inviolate, were slipping precipitately from his control.
  • p. 125

• So we drove on toward death in the cooling twilight.
  • p. 136

• He put his hands in his coat pockets and turned back eagerly to his scrutiny of the house, as though my presence marred the sacredness of the vigil. So I walked away and left him standing there in the moonlight — watching over nothing.
  • p. 145

Chapter 8

"They're a rotten crowd," I shouted across the lawn. "You're worth the whole damn bunch put together."

• "They're a rotten crowd," I shouted across the lawn. "You're worth the whole damn bunch put together."
  I’ve always been glad I said that. It was the only compliment I ever gave him, because I disapproved of him from beginning to end. First he nodded politely, and then his face broke into that radiant and understanding smile, as if we’d been in ecstatic cahoots on that fact all the time.
  • p. 154, Nick speaking to Gatsby

• No telephone message arrived, but the butler went without his sleep and waited for it until four o'clock—until long after there was anyone to give it to if it came. I have an idea that Gatsby himself didn’t believe it would come, and perhaps he no longer cared. If that was true he must have felt that he had lost the old warm world, paid a high price for living too long with a single dream. He must have looked up at an unfamiliar sky through frightening leaves and shivered as he found what a grotesque thing a rose is and how raw the sunlight was upon the scarcely created grass. A new world, material without being real, where poor ghosts, breathing dreams like air, drifted fortuitously about… like that ashen, fantastic figure gliding toward him through the amorphous trees.
  • p. 161

• Standing behind him, Michaelis saw with a shock that he was looking at the eyes of Doctor T. J. Eckleburg, which had just emerged, pale and enormous, from the dissolving night. “God sees everything,” repeated Wilson.
  • p. 159, Wilson talking about the billboard outside his window

Chapter 9

• Let us learn to show our friendship for a man when he is alive and not after he is dead,” he suggested. “After that my own rule is to let everything alone."
  • p. 172

• That’s my Middle West—not the wheat or the prairies or the lost Swede towns, but the thrilling returning trains of my youth, and the street lamps and sleigh bells in the frosty dark and the shadows of holly wreaths thrown by lighted windows on the snow. [...] I see now that this has been a story of the West, after all — Tom and Gatsby, Daisy and Jordan and I, we're all Westerners, and perhaps we possessed some deficiency in common which made us subtly unadaptable to Eastern life.
  Even when the East excited me most, even when I was most keenly aware of its superiority to the bored, sprawling, swollen towns beyond the Ohio, with their interminable inquisitions which spared only the children and the very old—even then it had always for me a quality of distortion.[...]
  After Gatsby’s death the East was haunted for me like that, distorted beyond my eyes’ power of correction. So when the blue smoke of brittle leaves was in the air and the wind blew the wet laundry stiff on the line I decided to come back home.
  • p. 176

• They were careless people, Tom and Daisy—they smashed up things and creatures and then retreated back into their money or their vast carelessness or whatever it was that kept them together, and let other people clean up the mess they had made....
  • p. 179

So we beat on, boats against the current, borne back ceaselessly into the past.

• Most of the big shore places were closed now and there were hardly any lights except the shadowy, moving glow of a ferryboat across the Sound. And as the moon rose higher the inessential houses began to melt away until gradually I became aware of the old island here that flowered once for Dutch sailors’ eyes — a fresh, green breast of the new world. Its vanished trees, the trees that had made way for Gatsby’s house, had once pandered in whispers to the last and greatest of all human dreams; for a transitory enchanted moment man must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.
  And as I sat there, brooding on the old unknown world, I thought of Gatsby's wonder when he first picked out the green light at the end of Daisy’s dock. He had come a long way to this blue lawn and his dream must have seemed so close that he could hardly fail to grasp it. He did not know that it was already behind him, somewhere back in that vast obscurity beyond the city, where the dark fields of the republic rolled on under the night.
  Gatsby believed in the green light, the orgastic future that year by year recedes before us. It eluded us then, but that’s no matter — tomorrow we will run faster, stretch out our arms farther.... And one fine morning —
  So we beat on, boats against the current, borne back ceaselessly into the past.
  • p. 180, final lines

External links

• Encyclopedic article on The Great Gatsby on Wikipedia
• Media related to The Great Gatsby on Wikimedia Commons
• The Great Gatsby online
• The Great Gatsby quotes with analysis
• The full online book in the Project Gutenberg