James Cameron (director)

Canadian filmmaker (born 1954)
For other people known by the same name, see James Cameron.

James Francis Cameron, CC (born 16 August 1954) is a Canadian filmmaker whose most famous works include The Terminator, Aliens, Titanic and Avatar.

Don’t put limitations on yourself. Other people will do that for you. Don’t do that to yourself. Don’t bet against yourself. And take risk.
I was shocked to find out that animal agriculture directly or indirectly accounts for 14.5% of all greenhouse gas emissions, compared to all transportation – every ship, car, truck, plane on the planet only accounts for 13%. Less than animal agriculture. So most people think that buying a Prius is the answer, and it’s certainly not wrong, but it’s not the biggest agent of climate change.

Quotes edit

  • Imagination is a force that can actually manifest a reality. … Don’t put limitations on yourself. Other people will do that for you. Don’t do that to yourself. Don’t bet against yourself. And take risk. NASA has this phrase that they like, "Failure is not an option." But failure has to be an option. In art and exploration, failure has to be an option. Because it is a leap of faith. And no important endeavour that required innovation was done without risk. You have to be willing to take those risks. … In whatever you are doing, failure is an option. But fear is not.
    • Address to the 2010 TED conference (13 February 2010)
  • [About veganism] You're going to be healthier, you're going to live longer, you're going to look better. You're going to have fewer zits. You're going to be slimmer. You're going to radiate health. You're going to have a better sex drive. That's what shifting away from meat and dairy does. My whole family did this, and we're doing spectacularly well from a health standpoint. I have not had a single sniffle, not a flu, not a cold, nothing that's taken me offline as much as an hour in three and a half years.

About James Cameron (director) edit

In short, James Cameron's sequels work because he comes up with new ways for his characters to evolve and progress, rather than merely react to a series of events set before them. The Ripley we see at the start of Aliens is different from the one who goes back into cryosleep at its end. Aliens and T2 may have dazzling action sequences, but it's these story and character progressions that make them so dramatically satisfying.
  • Aliens brings Ripley's story of alien impregnations, molecular acid, and death to an upbeat close by taking away the fear and isolation that plagued her since the end of Alien. As the lid closes on Ripley's cryo-tube, we realise that she's found the companionship and peace she deserves.
    Similarly, Terminator 2 sees the nightmare future of Judgment Day averted. The T-800 may have sacrificed himself to protect the human race, but the film's events have allowed Sarah to reconnect with her son and her own compassion. With stories as complete as these, it's hardly surprising that the filmmakers charged with making Terminator 3 and Alien 3 have struggled to find new directions in which to take them.
    In both cases, those second sequels were the opposite of Aliens and T2: they simply felt like "more of the same." In Alien 3, poor Ripley finds herself in a worse situation than she was at the start of Aliens - her surrogate family is dead, she's stuck in an all-male prison with an alien running around, and there's something horrible stirring in her viscera.
    Terminator 3: Rise Of The Machines was, if anything, even more gloomy. Sarah Connor died between sequels; John Connor's a lonely drifter, and Judgment Day hasn't been cancelled - merely postponed. The sense of hope - not to mention Cameron's motto that "there's no fate but what we make for ourselves" - is replaced by the suggestion that annihilation by sentient machines is inescapable. Beyond Ripley and Sarah's stories in Aliens and T2, filmmakers could find only despair and nihilism.

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