American actor, puppeteer and director
Frank Oz (born Frank Richard Oznowicz; May 25, 1944) is an American actor, puppeteer, director and producer.
- What Jim wanted to do, and it was totally his vision, was to get back to the darkness of the original Grimm’s fairy tales. He thought it was fine to scare children. He didn’t think it was healthy for children to always feel safe.
- On The Dark Crystal, as quoted in Q&A: Frank Oz on Henson, “Dark Crystal” and the Kwik Way, SFGate, (Jun 28, 2007).
- I helped him direct the movie, but he had the vision. It was because of Jim not accepting the impossible and as a result he would work harder than anybody I’ve ever known because he was the one who led the way by working harder. None of us could say no because he always worked harder than us. When you say special, I think that really is the memory that I have, the incredible upward hill journey that we had to do every single day. It was very tough.
- On Jim Henson and The Dark Crystal, as quoted in "Exclusive: Frank Oz on ‘Little Shop of Horrors’ Original Ending, ‘The Dark Crystal’ and Jim Henson", Collider, October 16 2017
- I’m not involved in the slightest. I say “godspeed.” I am not involved. Nobody’s mentioned it in any way to me whatsoever. I’ll be very curious to see it.
- On his role in The Dark Crystal: Age of Resistance, as quoted in "Exclusive: Frank Oz on ‘Little Shop of Horrors’ Original Ending, ‘The Dark Crystal’ and Jim Henson", Collider, October 16 2017
- It seems Mr. Mark Saltzman was asked if Bert & Ernie are gay. It’s fine that he feels they are. They’re not, of course. But why that question? Does it really matter? Why the need to define people as only gay? There’s much more to a human being than just straightness or gayness.
Interview with IGNEdit
Kenneth Plume, "Interview with Frank Oz (Part 2 of 4)", IGN, 21 May 2012
- What I don't like is describing Jim as that he was this wonderful, warm, sweet man because, yes he was a wonderful, warm, sweet man – but he was also the strongest man I ever met in character. He was very tough. He worked like a sonofabitch. He could get cranky and he got snarky at times. He would rarely get angry. I've seen him angry only about three times in my life.
He was a very complex guy, but he was that noble spirit.
- Jim didn't have a script – he didn't work that normal way. He wanted to have a laboratory of textures and designs and ideas and rehearsals. He had a story – but he wanted the script to work in conjunction with the laboratory of creating the characters.
- This is Jim – he said, "Would you direct Dark Crystal with me?" and I said, "Why? I don't know how to direct. You could do it yourself. Why would you want me to direct with you?"
He said, "Because it would be better." And that's all that mattered. He didn't care about the credit. He knew that he had some weaknesses and he felt that I had some strengths, and so we worked together that way.
- It was not smooth at all, and it was because of me, not because of Jim. Jim should have ****in' fired me several times. Jim was extraordinarily patient. I was a young guy who wanted to make his mark in the world, and if I was the co-director, by God why wasn't I attending more meetings and why didn't I get more say in things? I had a problem of self-esteem and it came through that way. It was difficult for Jim, not for me. It was frustrating for me, but that was an unhealthy frustration. It worked because Jim was patient.
- On filming The Dark Crystal