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Daniel Barenboim

Israeli Argentine-born pianist and conductor

Daniel Barenboim (pronounced ˈbaːʁənbɔʏm; in Hebrew: דניאל בארנבוים, born 15 November 1942) is an Argentine-born pianist and conductor based in Berlin. From 1992 until January 2023, Barenboim was the general music director of the Berlin State Opera and "Staatskapellmeister" of its orchestra, the Staatskapelle Berlin.

I have the greatest respect for the survivors of the Holocaust. We can't even imagine what these people went through.

Barenboim previously served as music director of the Chicago Symphony Orchestra, the Orchestre de Paris and La Scala in Milan. Barenboim is known for his work with the West–Eastern Divan Orchestra, a Seville-based orchestra of young Arab and Israeli musicians, and as a resolute critic of the Israeli occupation of Palestinian territories.

Quotes

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I think it’s obvious that Wagner’s anti-Semitic views and writings are monstrous. There is no way around that ~ 1998
 
Music has the capacity to create a greater reality.
 
We must condemn and countermand anti-Semitism and xenophobia roundly and jointly, every day.
 
Israelis must finally understand that their own security is inextricably linked to justice for the Palestinian people, which is so urgently needed. There can only be true and lasting peace if the unjust occupation of the Palestinian territories finally ends.
  • I think it’s obvious that Wagner’s anti-Semitic views and writings are monstrous. There is no way around that. And I must say that if I, in a naïvely sentimental way, try to think which of the great composers of the past I would love to spend twenty-four hours with, if I could, Wagner doesn’t come to mind. I’d love to follow Mozart around for twenty-four hours; I’m sure it would be very entertaining, amusing, edifying, but Wagner… Wagner? I might invite him to dinner for study purposes, but not for enjoyment. Wagner, the person, is absolutely appalling, despicable, and, in a way, very difficult to put together with the music he wrote, which so often has exactly the opposite kind of feelings. It is noble, generous, etc. But now we are entering into the whole discussion of whether it is moral or not and this becomes too involved in a discussion. But suffice it to say for now that Wagner’s anti-Semitism was monstrous. That he used a lot of, at the time, common terminology for what could be described as salon anti-Semitism, and that he had all sorts of rationalizations about it, does not make it any less monstrous. He also used some abominable phrases which can be, at best, interpreted as being said in the heat of the moment — that Jews should be burned, etc. Whether he meant these things figuratively or not can be discussed. The fact remains that he was a monstrous anti-Semite. How we would look at the monstrous anti-Semitism without the Nazis, I don’t know. One thing I do know is that they, the Nazis, used, misused, and abused Wagner’s ideas or thoughts — I think this has to be said — beyond what he might have had in mind. Anti-Semitism was not invented by Adolf Hitler and it was certainly not invented by Richard Wagner. It existed for generations and generations and centuries before. The difference between National Socialism and the earlier forms of anti-Semitism is that the Nazis were the first, to my knowledge, to evolve a systematic plan to exterminate the Jews, the whole people. And I don’t think, although Wagner’s anti-Semitism is monstrous, that he can be made responsible for that, even though a lot of the Nazi thinkers, if you want to call them that, often quoted Wagner as their precursor. It also needs to be said for clarity’s sake that, in the operas themselves, there is not one Jewish character. There is not one anti-Semitic remark. There is nothing in any one of the ten great operas of Wagner even remotely approaching a character like Shylock.
  • I must tell you, that when I came back from Ramallah in September, I really felt I had done something good. For many of these Palestinian children, it was the first time they ever had a positive thought about anything to do with Israel. I asked one young girl, 'Are you glad I came?'. And she said, 'Yes, because until now I only saw Israeli tanks and Israeli soldiers, and now I see an Israeli musician'
  • The Declaration of Independence was a source of inspiration to believe in ideals that transformed us from Jews to Israelis. ... I am asking today with deep sorrow: Can we, despite all our achievements, ignore the intolerable gap between what the Declaration of Independence promised and what was fulfilled, the gap between the idea and the realities of Israel? Does the condition of occupation and domination over another people fit the Declaration of Independence? Is there any sense in the independence of one at the expense of the fundamental rights of the other? Can the Jewish people whose history is a record of continued suffering and relentless persecution, allow themselves to be indifferent to the rights and suffering of a neighboring people? Can the State of Israel allow itself an unrealistic dream of an ideological end to the conflict instead of pursuing a pragmatic, humanitarian one based on social justice. I believe that despite all the objective and subjective difficulties, the future of Israel and its position in the family of enlightened nations will depend on our ability to realize the promise of the founding fathers as they canonized it in the Declaration of Independence. I have always believed that there is no military solution to the Jewish Arab conflict, neither from a moral nor a strategic one and since a solution is therefore inevitable I ask myself, why wait?
  • Despite the fact that as an art, music cannot compromise its principles, and politics, on the other hand, is the art of compromise, when politics transcends the limits of the present existence and ascents to the higher sphere of the possible, it can be joined there by music. Music is the art of the imaginary par excellence, an art free of all limits imposed by words, an art that touches the depth of human existence, and art of sounds that crosses all borders. As such, music can take the feelings and imagination of Israelis and Palestinians to new unimaginable spheres.
  • Every musician here has played these pieces many times, sometimes hundreds of times. Yesterday we looked at this music as if we had seen it for the first time. We never accept that the next note will played the same way it was played before. Thinking anew is our daily activity. I hope all the people of this region can take note of that.
    • "Daniel Barenboim brings 'solace and pleasure' to Gaza with Mozart concert", The Guardian (3 May 2011)
  • Israel's lasting future depends on its government's willingness to enter into a genuine peace agreement with the Palestinians. That this also goes for the Palestinians grouped around Hamas hardly needs to be stressed. Both sides have to understand that they must live together for better or worse and that hatred, terror and territorial, ethnic and religious exclusion have never produced peace, but rather have led to killing and more killing.
    • "Germany must talk straight with Israel", The Guardian (9 November 2014)
  • I live in Germany with great concern. Today, there is a highly dangerous new anti-Semitism in Germany, and reactions to this fact, both in society and politics, are far too weak. In the early 1990s I would not have believed that anti-Semitism and xenophobia, glorification of the Nazi past and an aggressive, racial nationalism could become socially acceptable again in Germany in 2019. What is happening every day in Germany cannot be brushed away as “alarm signals”; it is far too late for those. We must condemn and countermand anti-Semitism and xenophobia roundly and jointly, every day. For there are many aspects of German culture I value greatly: literature, music and philosophy, for example. Nazism, however, does not represent the human values this German culture is founded upon. Nazism is inhuman.
    Before I end, permit me to say a few words on another subject which fills me with concern: in Israel, it is currently unclear how the next government will be formed. No matter how the new government turns out, however, Israelis must finally understand that their own security is inextricably linked to justice for the Palestinian people, which is so urgently needed. There can only be true and lasting peace if the unjust occupation of the Palestinian territories finally ends.
  • His exceptional musical talent was already evident then and he has since developed into one of the the preeminent conductors of our time
  • Music is a weapon in the war against unhappiness.[1]
  • Music speaks where words fail.[2]
  • To be a musician is a great gift. To share music – perhaps an even greater one.[3]
  • In music, everything is possible.[4]
  • The essence of music is not found in mere technical proficiency, but in emotional expression.[5]
  • Music is the universal language of mankind.[6]
  • Music is the healer of the soul.[7]
  • The purpose of music is not to impress, but to touch hearts.[8]
  • There are no compromises in art; it is either great or it is not.[9]
  • Music is not about notes, but about the spaces in between.[10]
  • Great music can change the world, one heart at a time.[11]
  • Art is the highest form of human expression.[12]
  • In music, there are no boundaries, only infinite possibilities.[13]
  • Music has the power to transport us to another world.[14]
  • A true musician is always a student, forever seeking to learn and grow.[15]
  • Music is the ultimate form of communication.[16]
  • The role of a conductor is to inspire and guide, not to control.[17]
  • In music, we can find solace and understanding.[18]
  • Music has the power to unite people from different cultures and backgrounds.[19]
  • Performing music is like telling a story without words.[20]
  • Music is a conversation between composer, performer, and listener.[21]
  • Every note in a musical composition has a purpose and meaning.[22]
  • Music can bring light into even the darkest of times.[23]
  • To make music is to create something out of nothing.[24]
  • Music allows us to express emotions that words cannot describe.[25]
  • The beauty of music lies in its ability to evoke emotions without words.[26]
  • Music is the soundtrack to our lives.[27]
  • In music, we find our truest selves.[28]
  • The true power of music lies in its ability to connect us to something greater than ourselves.[29]
  • Music is a gift we should cherish and share with others.[30]

SPIEGEL Interview (2012)

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SPIEGEL Interview with Daniel Barenboim (22 June 2012)
  • I'm sure that there are many Israelis who dream of waking up one day to find the Palestinians gone. And there are many Palestinians who dream of going to bed at night and waking up the next morning to find the Israelis gone.
  • I have the greatest respect for the survivors of the Holocaust. We can't even imagine what these people went through. And yet even they have differing positions … I respect that there are survivors who can't, and certainly don't want to, listen to this music. But I don't accept that the fact that an orchestra playing Wagner in Tel Aviv or Jerusalem would do any harm to someone sitting in an apartment in Haifa.
  • Wagner exploited all forms of expression at a composer's disposal -- harmony, dynamics, orchestration -- to the extreme. His music is highly emotional, and at the same time Wagner has extraordinary control over the effect he achieves. That's why there is also something manipulative about Wagner's music, which is not to say that it's not honest. In fact, I believe that it's totally honest, but it also happens to be manipulative.
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