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The Kashmir Files

2022 film directed by Vivek Agnihotri


The Kashmir Files is a 2022 Indian Hindi-language drama film about the pain, suffering, and struggle of the Kashmiri Pandit community in 1990 and a young college student who sets out on a quest to uncover the truth.

Directed and written by Vivek Agnihotri.
This film is dedicated to all the persecuted minorities in the world. Opening Credits

Opening Credits

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  • This film is dedicated to all the persecuted minorities in the world.
    • Quoted in opening credits of film.

Krishna Pandit

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from ("Krishna'S Speech") Darshan Kumar as Krishna Pandit
  • This is the exact description in Shamsu'd-Din Muhammad Araqi's biography Tohfatul Ahbab.
  • You are studying in India's topmost university but you don't know who Araqi is?
  • His sole intention was to destroy to the temples and shrines of infidels. To put an end to their traditions and rituals.
  • In this independent India, in this democratic India, in this secular India: they were once again ousted with swords and guns.
  • Do you know what this means? Raliv means Convert! Chaliv means leave! Galiv means Die! Convert! Leave! or Die !
  • This was their seventh exodus. And this wasn't an ordinary exodus. This time it was a genocide. And the story doesn't end here. They faced yet another genocide. And neither Araqi nor the Terrorists nor the State were responsible for it. But you and I were responsible for it. .... When we decided to remove them from our hearts and minds. And this was the real genocide.
  • If we haven't read about it, it's not part of our history. If we haven't seen it, it hasn't happened. So there was no real genocide in Kashmir. If anyone tries to tell the truth, you say, 'don't preach!'.
  • They didn't just kill Kashmiri Pandits in the year 1990. They killed all moderate Muslims as well.
    • from ("Krishna'S Speech") Darshan Kumar as Krishna Pandit

Quotes by Vivek Agnihotri

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  • He wrote, “A lot of people are wondering if my Twitter account is suspended. No, it’s not. I have deactivated it. Here is why: Since I started the campaign of #TheKashmirFiles, Twitter shadowbanned me. My followers dropped drastically and most of my followers couldn’t see any of my tweets. On top of that, my DM was filled with vulgar and threatening messages (by you know who). It’s not that I can’t handle such elements, but it seemed there were many Pakistani & Chinese bots. However tough you may be, it’s mentally testing to be surrounded by such intense hate and threats for your family. For what? Making an honest film on the pain and sufferings of our Kashmiri brothers & sisters? Is that why they are rattled that the truth may come out? The ugly world of social media has given the power to a lot of evil elements. And our silence gives them hope to succeed. TheKashmirFiles breaks that silence. Loud and clear.”
  • The filmmaker further added, “I have always spoken against India’s enemies. #The KashmirFiles is an attempt to expose inhuman terrorism that has destroyed India’s most sacred land of Shiva & Saraswati. And now religious terrorism is making inroads in mainland India. That’s why they want people to like me silenced. I always speak for those who can’t be heard. I have been exposing many untruths and fake narratives by anti-India Urban Naxals. They want to silence me. But I know very well that silence helps tragic events like Kashmir Genocide. They must know that I can’t be silenced. I thank all my followers and fans for your love and support. Love. Always.”
  • For instance, (the examining committee) had issues with the word ‘Islamic terrorist’. More than two dozen cuts were issued in all. However, I argued and showed them the documents and proof to support my point. Eventually, they allowed the film without these cuts. How can they dispute the facts after all?
    • Interview, quoted in [3]
  • OpIndia spoke with Vivek Agnihotri regarding Intezar Hussain Sayed’s initial allegation that the film offended religious feelings. Agnihotri, in an interview with OpIndia, said he was determined to portray the genocide of Kashmiri Hindus on-screen through The Kashmir Files., “I can prove in any court or any platform of their choice that every frame, every word in my film is truth. Nothing but the truth.” On the news of a PIL being filed against the film, he had said, “They can create as many hurdles as they want but I can’t be silenced.”
  • Speaking on the question of why he chose not to go with the OTT platform and release it exclusively in theatres, Vivek said he was not willing to give up his Intellectual Property(IP) and strike comprises that deals with the OTT platforms normally entailed. He highlighted an incident on how he was bluntly asked by an OTT executive to remove the reference to ‘Islamic Terrorism’ from his movie. Vivek said he was taken aback when the executive openly asked him whether any specific adjective was used for terrorism which is talked about in the film. According to Vivek, the executive asserted, “We have a global policy that we do not use the term ‘Islamic Terrorism’ in any of our films. I hope you are not using that.”
  • Calling out the 'genocide deniers', Vivek wrote, "I am not the first person to call it Genocide. But systematically books and literature like this were taken off libraries and a lie was created about ‘exodus’. This was indeed the GENOCIDE. Any GENOCIDE DENIER is either a part of terror business or naive. #RightToJustice" In another tweet, Vivek clapped back at former Jammu and Kashmir chief minister Omar Abdullah. Sharing a picture of a man, he wrote, "Whenever any Genocide Denier tries to divert by arguing on numbers of dead people, show him this report from 1989 and ask “how many numbers would you give Ramesh Kumar?" "Btw, @OmarAbdullah’s father and son of Shri Sheikh Abdullah was the chief minister at that time," he added.
  • The filmmaker recently shared a shocking video of a maulvi saying that The Kashmir Files should be banned. Sharing the video on his Twitter, Vivek also shared that this is how ‘Kashmiri Hindus were removed from the valley’. He tweeted in Hindi, “Maulvi Sahib of Rajouri says: “This film should be closed… Humne 800 saal tum pe hukumat ki you want to erase our mark in 70 years rule…” Friends, in the same way, the name and the existence of Kashmiri Hindus were erased from Kashmir.”
  • Dear @Wikipedia, You forgot to add ‘Islamophobia… propaganda… sanghi… bigot… etc’. You are failing your Secular credentials. Hurry, edit more.

Interview in FirstPost

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Vivek Agnihotri on The Kashmir Files: 'I wanted to make a film about people who did not pick up guns' March 2022
  • Pallavi [Joshi] and I decided to do separate research. Whatever we know about Kashmir is through the politicians, but have no idea about the reality. We decided to interview more than 700 victims of the Kashmir Genocide from all across the world. We listened to and recorded their stories for two years. We had swollen eyes every time we heard a story. I was not crying because someone was killed. I was crying on myself. It was self-pity – I thought to myself how it is even possible that so many people were killed, women were raped, their breasts were cut, and no one talks about it. Pallavi and I decided to not get into politics, and tell a human story that was never heard.
  • When didn’t even know if we’ll be making a film, or documentary, or a series. There came a time when I thought if nothing will happen, I’ll release it on my social media platforms. We divided our research work, but during the process, we couldn’t help and cried our eyes out. Almost every victim told us that this is the first time someone is asking them about their sufferings. They don’t even discuss it in their family as they don’t want to let their kids know their stories. It’s a terrible feeling to hear all of it. There is a dialogue where someone asks – "Why didn’t they speak up?" and Mithun Chakraborty replies – "Toote hue log bolte nahi, unhe suna jaata hai" [Broken people cannot talk, you make an effort to listen to them]. That is my message.
  • It doesn’t scare me but I am concerned. The media has to follow the rules else their careers will be destroyed. We suffer from a colonial mindset. They can kill me but cannot break me.

Interview, Times of India

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Vivek Agnihotri: Rajkummar Rao, Taapsee Pannu say they make independent films, but they don’t!
  • The real harm comes when someone starts targeting and stalking you. This is where the threat begins. I faced this thing last year also when they shot fatwas against me in Kashmir. They said, ‘We will never let you enter Kashmir. We will ensure this film never gets released’. When I was in the US to give speeches in top universities, I was heckled by Kashmiri Muslims or Pakistani boys. I understand all these things, but stalking is really scary because it’s about your young teenage daughter. These days she is on Instagram, so it’s very easy to find and connect.
  • It doesn’t! I was making commercial films and was there in the entire Bollywood club. I was also a part of nepotism domination, and other dirty politics. I have seen the underbelly of Bollywood very well. There are two kinds of films you can make, one is a sweet story which people want to hear and the second one is a film that only you can tell. These are discomforting subjects which will make people uncomfortable. It wasn't an unprompted decision, I wanted to do it. It was a mature decision of my life. I knew there would be opposition, but what pains me is this is from the same Bollywood that talks about respecting independent filmmakers. Who can be more independent than me? Nobody! I love certain actors like Rajkummar Rao, Taapsee Pannu, but when they make a film and say it’s an independent one, it’s not! It’s supported and financed by big studios. They are doing the same thing and just naming it differently. While Bollywood media call them independent filmmakers, I am the only genuine independent filmmaker here in India. I do my research from all around the world, I put my money, and face struggles for the film distribution, so this is a journey of an isolated filmmaker. I do my own marketing. But Bollywood doesn’t recognise us and in fact, they boycott and isolate us. That’s painful.
  • You tell me which is the most discussed issue in India than Kashmir? It's the most discussed theme in the world and in 1990, 5 lakh people were forced to leave their motherland and people who came from outside killed 4000 Kashmiri Hindus, committed genocide. Who are these people? They came from Iran and Iraq for refuge and these Kashmiri Hindus gave them refuge. Today they have thrown them out. What can be a more interesting story than this? If the youngsters are not told about this story, believe me, it’s going to happen next to you, at your doorstep. This film is dedicated to all the minorities and the persecuted people of the world, whether they are Hindu, Christian, Buddhist, Dalits or anyone else. This is to tell people what happens when there is an absence of humanity or when we are indifferent to humanity.
  • But, let’s not get confused between the majority and minority because the majority in one place can be a minority in another place. 4000 people were killed, women were raped, why don’t female journalists and Me Too groups talk about it? So many Dalits were killed. Why do these politically activated Dalit groups don’t talk about it? You see the hypocrisy.
  • They are more interested in Delhi politics than their own people. Everyone has made a film that was sympathetic to terrorists. Do they try to portray why they are killing people? Who cares about why they are killing? Nobody has a right to kill anyone. So many women were cut alive on saw machines, somebody has to make a movie on that. When I am doing it, the entire Bollywood and politically charged media are standing against me. I have been isolated as if I have committed a crime in my own country.
  • I was in Delhi recently with a journalist who showed me this. He said, ‘I just type 'The Kashmir Files’ NDTV, and see what has come up’. They made a page for us and it only had four lines. It was the description of the film that said, ‘It’s a propaganda film.’ Nobody in the film, besides me, has seen the film, so how can they call it a propaganda film? They are the ones doing propaganda against the film. Later OpIndia did an expose piece on them and they had to delete the word propaganda. If they are true journalists then they don’t have to delete it. This means it was fake journalism. Similarly, Anupama Chopra’s ‘Film Companion’, on which I made a video that has now gone viral. I don’t have anything against anybody, but if someone is going to attack my film, I am capable enough to defend my own baby.
  • Film Companion did a vicious thing by using the keyword ‘The Kashmir Files’ to grab eyeballs. They had to acknowledge the trailer release because it went viral and then they released a 3-year-old review of ‘The Tashkent Filles’. It said ‘it’s a third-grade film of third-grade politics.’ ‘The Tashkent Files’ did 100s in business and was the biggest hit of 2019, it won two National Awards and was included in universities as a case study. If you go out and ask any Indian, 'Have you seen ‘The Tashkent Files’?' they get emotional. And, these people are calling it a third-grade film? The reviewer has written, ‘I was more interested in eating burger and fries’. What kind of journalism is this? I had to come out and attack these people and defend my film.

Quotes about The Kashmir Files

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  • Take the example of the reaction of most Indian intellectuals to the movie The Kashmir Files and the massive response of ordinary people. If the first aspect demonstrates anything, it lays bare the absolute barrenness of Indian intellectual landscape. I have not read a single reflection or review that even minimally tries to understand what people are responding to when they respond to the movie. Like everything else, this too is another occasion for moralising lectures about communalism, posturing against the imputed hatred the movie apparently propagates combined with expressions of pseudo-horror about an allegedly partial portrayal.
    Very few things can move the entire population like this movie did and I am still thinking about it. And perhaps will also write on the movie. Tragedies or violence are not new, especially when they are in the news every day. So, it cannot be that the overwhelming response of people had only to do with the horrors faced by the Pandits in Kashmir or the treachery of our ruling classes (politicians, intellectuals, and media). Shortly after the movie came out, I saw it in Belgium, I remember telling my daughter that this movie would enter the national consciousness of India.
  • Writer and director Vivek Agnihotri deserves a lot of credit for having the will to fight for years to be able to make this film. There were reports that he could have made a deal with Netflix if he had agreed to not mention Islamic terrorism, which would be akin to making a movie about the Holocaust that doesn’t mention the Nazis. Good for him and his team for not caving to such a cowardly and ridiculous demand.
  • this is Anupam Kher’s finest contribution to cinema yet. PN Pandit isn’t just one person. It is all of us. It is the mirror of our misfortunes, shards of the glass that still haven’t come off from skin. It is pain in its rawest form because it is a movie that’s been closest to the truth, unlike any other from the past. None of the deaths were fictional, none of the tragedies coincidental, none of the wounds exaggerated or underrepresented.
    • Review, by K. Mattoo, in [11]
  • “When one feels, they have hit rock-bottom and can only rise from here, they invent ways to hit newer lows. A pity they choose to hurt the sentiments of Kashmiri Pandits again. Kashmir Files is an eye-opener and probably just the tip of the iceberg
    • Venkatesh Prasad in [12]
  • It is not easy to write about movies or books which bare one’s bottled-up horrors and agony. But then, that is the strength of Vivek Ranjan Agnihotri’s ‘The Kashmir Files’. It has made me, a displaced Kashmiri Pandit (Hindu), to own it, to call it my story. And that is no small feat.
    • Review by A Tikoo, in [13]
  • In this plea, it is said, “The film will not only hurt the religious sentiments of the Muslim community but also ignite emotions and inflame members of the Hindu community with a clear possibility of triggering violence in all parts of India.” It further said, “his movie, as can be seen from the trailer released, has scenes which hurt the religious feelings of the people of India, more particularly the Muslim community and has a very potent mixture of inflammatory scenes which are bound to cause communal violence in the prevailing circumstances in the country.” The plea also mentions, “The dialogues as can be seen in the trailer are discriminatory, defamatory and against the principles of the Constitution of India. The dialogues are violative of the fundamental rights guaranteed under Article 15 of the Constitution of India, being inflammatory in nature.”
    • PIL that was filed against Filmmaker Vivek Agnihotri’s upcoming movie The Kashmir Files by a resident from UP named Intezar Hussain Sayed quted in [14]
  • The film is too hot to handle for our political class, even if some of them might support it tacitly. That is because it pulls no punches. There is no varnishing or airbrushing of brutal realities. Names are named, whether it is meddling neighbouring powers, religious, ethnic, or caste communities, dead or living politicians, even individuals and real persons. Religious identities or ideologies are not elided, evaded, or avoided. Disturbing visuals, distressing slogans — it’s all there and in your face in this movie.
    • Review by Makarand Paranjape [15] 2022
  • She wrote, “My father’s sister, Girija Tickoo, was a librarian at a University who had gone to collect her paycheck, on her way back the bus she was travelling from was stopped and what happened next still leaves me in shivers, tears, and nausea. My bua was then thrown into a taxi, with five men (one of them being her colleague), who tortured her, raped her, and then brutally murdered her by cutting her alive with a carpenter saw. Imagine being the brother who had to recognize his Babli, who wasn’t at fault in this gruesome battle of total hypocrisy.” Raina said she had never heard anyone speaking about the incident. “My father tells me every brother lived in such shame and anger that nothing had been done to receive justice for my Babli Bua,” she added. Urging everyone to watch the movie, Raina said, “This is my plea to ALL of you to watch the Kashmir Files and take your friends and family with you.”
    • Girija Tickoo’s niece (the brutal rape and murder of Girija Tickoo, a Kashmiri Pandit, happened in Kashmir) as quote din [16]
  • “Instead of engaging in healthy debates based on facts and truths, this entire ecosystem has launched a full-fledged campaign to discredit the film. An individual has shown the courage to expose the truth, but this ecosystem is hell-bent on shaming his efforts. They also do not want to understand or allow others to do the same. They do not want to accept the truth, nor do they want the truth to be revealed in front of the world. The type of campaign that has been launched against the movie in the last few days is astounding”,
  • “My intention is not to advocate for a specific film, all I want to say is that it is critical to present the facts in their entirety to the world. There can be varied aspects to it. Some will see one aspect while someone else might see it from a different perspective. The people who feel that this movie is not up to the mark, are free to make another movie… who is stopping them,” Modi further added.
  • “Through such films, people come to know about the truth and understand who was responsible for any incidents in the past. Who exploited or who did the correct thing, films like these try to project,” asserted PM Modi as he lauded the filmmakers’ efforts to bring to light the harsh reality that had been buried for years.
  • PM Modi added that more good films should have been made narrating the thoughts and ideas of Mahatma Gandhi so that the world can know more and more about him. “People make tall claims like freedom of speech and expression, but have you seen any movie made on the Emergency of 1975. Why? Because there has been a constant effort to suppress the truth.
  • "The entire Jamaat (group) that raised the flag of freedom of expression has been furious for 5-6 days. Instead of reviewing the film on the basis of facts and art, there's a campaign to discredit the film," he said. The movie, directed and written by Vivek Agnihotri, depicts the exodus of Kashmiri Hindus from the state after systematic killings of people from the community by Pakistan-back terrorists. PM Modi added that his concern is that the truth should be brought out in a proper manner. "My concern is not just the film. I believe that it is beneficial for the nation to bring out the truth in the right way. It can have many aspects. Some see one thing, others see something else," he said. He then attacked the movie's critics, alleging that the negative reactions to the films are coming from those who deliberately tried to hide "the truth" for many years. "Those who think that this film is not right should make their own film. Who's stopping them? But they are surprised that the truth that they kept hidden for so many years is not coming out. Those who live for the truth have a responsibility to stand with the truth at such a time," PM Modi said.
  • 'Today, met #TheKashmirFiles team. The truth of the sacrifice, unbearable pain and struggle of Kashmiri Pandits who were forced to leave their home in their own country has come to the notice of the whole world through this film, which is a very commendable effort,' he tweeted in Hindi.
  • Those who have any problem with the censor-cleared Kashmir Files, are free to boycott it or make another film to refute it. Fine. However, I have worked in Kashmir in very sensitive and responsible positions since the early 1990s--I know the truth is more scary than what is shown
    • Retired Indian Police Service officer and Author Dr NC Asthana in [20] [21]
  • Spielberg, a jew, made Schindler's List. Polanski, a jew, made Pianist. Kramer, a jew, made Nuremberg. They had a moral duty to not water down the crimes against their community and they didn't. Vivek Agnihotri has made what Vidhu Vinod Chopra, a Kashmiri Hindu, should have.
  • "I worked at the CRPF Control Room in Delhi during the genocide and expulsion of Kashmiri Pandits. We recorded everything but the govt did nothing."
    • Former CRPF officer Purushothama Rao, after watching The Kashmir Files at Varun INOX in Vizag, as quoted in [22]
  • The film is about true and real events surrounding the 1990 ethnic cleansing of Hindus in Kashmir and today over 400,000 Kashmir Pandits remain in exile after 32 years.”“Terrorism in all its forms, no matter what its source, should be exposed and opposed. This attempt at selective censorship would amount to one further attack on the freedom of New Zealanders and people worldwide.”
    • Winston Peters, former deputy Prime Minister of New Zealand, in [23]
  • Peters added in a Facebook post, ‘To censor this film is tantamount to censoring information or images from the March 15th atrocities in New Zealand, or for that matter removing from public knowledge all images of the attack on 9/11’.
    • Winston Peters, [24]
  • Watched The Kashmiri Files today. If the story was 100% true, no exaggeration, no half truth--- then it is really a sad story & Kashmiri Pandit must get back their right to live in Kashmir. I don't understand why no film was made on the exodus of Bengali Hindus from Bangladesh.
    • Taslima Nasrin, quoted in [25]
  • The Indian High Commissioner to New Zealand has objected to this move, saying that “an unnecessary controversy has been created in New Zealand during the weekend regarding the film and its planned release.”... “There are concerning reports that the Office of the Chief Censor is under tremendous political pressure,” he added.. The letter to the chief censor emphasizes, “We all believe in the fundamental principle of freedom of expression. If there were no freedom of expression, the human kind would have not seen films and books on wars, holocaust, political conflicts and other tragic historical events”.
    • Indian High Commissioner to New Zealand Muktesh K Pardeshi , quoted in [26]
  • “Those uncomfortable yet courageous conversations would also need to find a place in our society to enable the persecuted to have a voice,” said Vinod Kumar, President of HCNZ. “We request all communities to respect each other’s right to have their plights being shared. We request everyone to remain calm and allow those who do want to watch the film do so peacefully and safely once the decision is made by the Chief Censor,” added Vinod Kumar, President of HCNZ.
    • Vinod Kumar, about the banning controversy. quoted in [27]
  • Kashmiri Files KILLED BOLLYWOOD.
    The MONSTROUS SUCCESS of KF (Kashmir Files) will permanently change BOLLYWOOD in the following ways:
    1. It will start making a lot of serious films on serious issues.
    2. It will start focusing on content and not on stars, budgets and extravaganza.
    3. It will start making films with actors rather than stars.
    4. It will henceforth not depend on songs to make a hit film.
    5. It will finally show its face with pride to world cinema instead of being apologetic about the Indian audience.
    6. Its top 6 or 7 production houses and makers will cease to be at the top and will lose their control because Kashmir Files has proved that anyone can come out of anywhere to sit at the top which is the ultimate democratisation of cinema.
    7. More than anything else it will start taking the audience seriously and not anymore presume them to be mindless dumbos who will only see masala films .”
    “I want to sum up by saying that Bollywood will be permanently divided into 2 eras as pre #KashmiriFiles Bollywood and post #KashmiriFiles Bollywood. I want to touch the feet of @Vivekagnihotri and the entire team of #KashmiriFiles for BREAKING the foundations of BOLLYWOOD so as to BUILD A BRAND NEW BOLLYWOOD.”
  • “For the first time in my entire career, I am reviewing a film”. Ram also said, "Kashmir Files released and broke every rule in the book. It doesn't have stars. There is no intention in the director to impress the audience which is what every filmmaker will be trying to do. He wants to impress." He added that from now onwards when any director or filmmaker plans any new film 'they can't help but study and refer back to Kashmir Files'. At the end of the video, he concluded, "I hate Kashmir Files because it destroyed whatever I learned, whatever I thought was right and whatever I thought was in at multiple times. I can't go back and I can't reinvent myself and can't rethink now, 'Oh, this is how it should be made'. No, can't. So I hate Kashmir Files whether it is the director or acting style or it is the way the screenplay was made...I hate all of them because you guys made me and all of the filmmakers I would say lose our identity...I hate all the people associated with Kasmir files but I love Vivek Agnihotri for making this happen." Sharing his review on Twitter, he wrote, “Don’t take at face value that mainstream Bollywood, Tollywood, etc are ignoring the mega success of #kashmirifiles. The reality is they are taking it more seriously than the audiences, but their silence is because they are s*** scared. Watch my review.” He also added, ".@vivekagnihotri single-handedly (footedly) kicked on the following myths a**** 1. Only big stars can get people into theatres, 2. Only mega budgets can get people into theatres, 3. Only #KapilSharmaShow can get people into theatres, 4. Only super hit songs can get people into theatres."
    • Ram Gopal Varma, in [28]
  • The fact that Pallavi Joshi and Vivek Agnihotri spent 4 years to make the film, with such extensive detailed research of close to 700 hard-hitting interviews that are testimonials from first-generation victims of the genocide of the Kashmiri Pandits community in the 1990s is in itself not a small feat... I am not a history major in my formal education. But I have studied history like any other student as a module. After watching The Kashmir Files, it shakes my soul today that history books, academics alike have skipped pressing on the excruciating and extensive details of the plight of Kashmiri Pandits in the hands of Islamic fundamentalists. Mind you, this film tells you nothing new. But tells you and reminds you and forces you to think why we can’t look at history in the eye without any shame. Makes you angry again as to why a Yasin Malik and Syed Ali Shah Geelani were allowed to get tacit support from politicians and intellectuals like Arundhati Roy and many more. Why those intellectuals who constantly bat for the ‘azadi’ of Kashmir and call it ‘fundamentally a call for justice’ don’t see the other side of the rightful occupants of the land being forced into mass departure when that is their land and that is their country their home. ... These are stories that need to be told and for many soft separatists, it may be a hard pill to swallow. Think about it for a second if there have been such brutal atrocities that the Kashmiri Hindus have gone through would you not keep your political leanings aside for the sake of humanity and hope for some closure for the first generation victims in their right to justice?
    • Chaiti Narula, in [29]
  • This is literally my own story... My grandmother died, waiting to return to her home, her land, her Panun Kashmir (my Kashmir). This film has been like a punch in the gut for me. It’s been much worse for my parents.
    • S. Dhar, quoted in [30]
  • “We requested the current dispensation that a recent film which has showcased atrocities on our Kashmiri Pandit brothers should be taken down. It has shown only one side of the story and would hence create rifts in society. While my full statements weren’t shown in the video, I was misquoted by some people. I did not mean to offend any particular caste or religion.” In an issued video message he stated, “Although if my comments have hurt someone then I duly apologise. I was not referring to any particular religion.” However, he stood by his stance that the films like ‘The Kashmir Files’ should not be released. Being an excellently received film across the globe, the film has resonated with people with its honest and truthful portrayal of the Kashmiri Hindu Genocide in 1990. The film has collected over Rs 220 crore until Saturday. While addressing a gathering at a mosque in Jammu, in an enraged tone, said Maulvi Farooq was heard stating, “Don’t you agree that the movie ‘The Kashmir Files’ should be banned? There should be restrictions on this movie. We(Muslims) are peace-loving people, we intend to keep the country peaceful.” He went further targeting, “We have ruled this country for 800 years, however, you (Hindus) came to power just 70 years ago. You want to target us. The reality is you will face death and consequences, but you cannot do anything to Kalma-chanting Muslims.”
    • The Maulvi from Rajauri quoted in [31]
  • The movie is creating hatred within the country. This film should be banned immediately.
    • Muttahida Majalis-E-Amal’s spokesperson Sher Shah Alam . According to a report by Zee Uttar Pradesh Uttarakhand, Sher Shah Azam in [32]
  • Pawar asserted "Such a film should not have been cleared for screening. But it is given tax concessions and those responsible for keeping the country united are encouraging people to watch the film that stokes anger among people."
    • Sharad Pawar, in [33]
  • At around 10.55 minutes into the interview, Karan Johar said, “The Kashmir Files is not made on the budget like a lot of other movies. But it is probably going to be cost-to-profit the biggest hit of Indian cinema. I read on Box Office India and they said that such a movement hasn’t happened since Jai Santoshi Maa, since 1975,” said Karan. Karan Johar went on to praise the makers for connecting with the masses. He added, “You have got to acknowledge there is something that is connecting with this nation and academically, you have to watch it. You have to watch it to absorb, to learn from it that look, there is this movement that has happened. It’s no longer a film, it’s a movement.”
  • The Kashmir Files became a sensation as people realized that the terrible events of Kashmir from the 1990s have been hidden from the general public... The Kashmir Files exposes layers of deceit within the ecosystem of Bharatiya media, academic, and power establishments. An artistic creation becomes extraordinary if it takes the viewer from the immediate story to the dhvani of the universal. The movie is a story not just of Kashmir, but of our times, where deceit and hypocrisy lie just one layer below professions of justice and equality.
  • I honestly think it is one of the best films, maybe even the very best film, I have ever seen.
  • Congress MP Shashi Tharoor shared the Singapore government’s statement on social media, writing: “Film promoted by India’s ruling party, Kashmir Files, banned in Singapore.”
  • “The film will be refused classification for its provocative and one-sided portrayal of Muslims and the depictions of Hindus being persecuted in the ongoing conflict in Kashmir”. “These representations have the potential to cause enmity between different communities, and disrupt social cohesion and religious harmony in our multiracial and multi-religious society.”
    • the Singapore government said in a statement on Monday 9 May 2022, in [38][39] [40]
  • Singapore banning The Kashmir Files shows that the truth remains a threat to those who deny the genocide of the Kashmiri Hindus by jihadis. Director @vivekagnihotri is quite correct to refer to Singapore as the "most regressive censor in the world." The truth cannot be banned.
    • Robert Spencer, in [41]
  • My name is Deeksha Ganju and I am the daughter of late Shri B.K. Ganju whose gruesome killing was highlighted in the movie.... We decided to bury this pain in our heart... but after 32 years, this movie forced us to re-live the pain...
    • D. Ganju quoted in [42]
  • What these people don’t realise is that what they are doing is very harmful. In fact, films like Kerala Story and Gadar 2, I haven’t seen them but I know what they are about, it’s disturbing that films like Kashmir Files are so massively popular…
  • To an extent, The Kashmir Files, a recent film by Vivek Agnihotri, has tried to reset the Kashmiri Hindu narrative, and that is why so many are rattled by it. Many prominent Kashmiri voices, politicians, intellectuals, writers and poets—all those who stayed silent even as the Kashmiri Hindu genocide unfolded right before their eyes—called for a ban on the film. To them I ask—can there be reconciliation without remembrance? Crime without comeuppance? Can there be death without deliverance? Can there be justice without Nuremberg? Why do they want to hide the truth about the Nadimarg massacre that the film truthfully depicts, where terrorist Zia Mustafa lined up 23 unsuspecting Kashmiri Hindus and shot them point blank, and as he was escaping, he heard a baby cry and his comrade goaded ‘ye karnawun chupe’ and then the baby became the 24th victim. Why do they want to hide this? Why do they want to hide the truth about Girija Tickoo, who was raped and cleaved in two by a mechanical saw while she was still alive? Why do they want to hide the truth about B.K. Ganjoo, who hid inside a rice barrel when jihadis came looking for him after his Muslim neighbour informed on him? Ganjoo was shot dead. Rice laced with his blood was fed to his wife. Why do they want to hide the truth about slogans raised from mosques on 19 January 1990—“Ralive, Tsalive, Galive [convert, run or die]; ‘Death to kafirs’; Pandits go but leave your women behind’; Nizam-e-Mustafa!’ Why do they want to hide all this?
    And what is this other side of the genocide that they demand should also be shown? Yasin Malik, the assassin of Squadron leader Khanna, loved dum aloo? Bitta Karate, the killer of Kashmiri Hindus, was the son of a shawl weaver? Zia Mustafa, the perpetrator of the Nadimarg massacre, was a compounder at a hospital? I will tell you why they want this truth to be hidden. Because they realise that The Kashmir Files is not just a film, it is a Proustian collection of memories. Of Girija. Of Ganjoo. Of Dinanath. Of tens of thousands of Kashmiri Hindus who were betrayed by their own friends. But they forget. They might have taken away from the Kashmiri Hindus their home, but they can never take away from them their words. For their entrapment in a film may fool us into believing they have a physical form, a form that can be destroyed when the film is destroyed. But the words existed much before their prisons did. Words never die. They always survive. In times of terror, we wrap them and hide them like our ancestors did, and it may take 30 or 300 or 3,000 years for them to be uttered again—but uttered again they will be. And when they are, their words will echo in the valleys of violence where people only know how to light Molotov these words will make them light diyas again.
    • (2023.) Hindus in Hindu Rashtra : Eighth-Class Citizens and Victims of State-Sanctioned Apartheid. by Anand Ranganathan
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