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  • I love the sound of a woman in the throes of rapture — but not screamers.
  • I think it's part of that heritage or that tradition of the creative artist trying to reconcile the insanity and ruthlessness of the artistic process with living a sane and socially acceptable existence.
  • I totally related to Cole Porter's magnetic pull to any piano that was in the room, which he was famous for doing, as was Gershwin. You couldn't drag them away from a piano.
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