American singer and songwriter, member of Fleetwood Mac
- I can be. I do not normally try to be. In fact, there have been some reviews—which I’ve loved—that said I didn't try to sell my show on sex, that I sang my show. On the other hand, I know I'm cute. I can dance. I don't have a bad figure. I know exactly what I am. I'm certainly no great beauty. I know exactly how far I can go.
- (when asked "Do you think you're sexy?") "20 Questions", Playboy, Vol. 29, No. 7 (July 1982)
- I phoned Prince out of the blue, hummed a melody, and he listened," … "I hung up, and he came over within the hour. He listened again, and I said, 'Do you hate it?' He said, 'No,' and walked over to the synthesizers that were set up, was absolutely brilliant for about twenty five minutes, and then left. He was so uncanny, so wild, he spoiled me for every band I've ever had because nobody can exactly re-create—not even with two piano players-what Prince did all by his little self.
- (on "Stand Back") Musician, issue 123-128 (1989), p. 84.
- I met Lindsey in high school in San Francisco. We had gone to some party and he was sitting in the middle of this gorgeous living room playing a song. I walked over and stood next to him, and the song was "California Dreaming," and I just started singing with him. And so I just threw in my Michelle Phillips harmony, and he was so beautiful. And then I didn't really see him again until two years later, when he called me and asked me if I wanted to be in his rock 'n' roll band, which I didn't even know existed. And within two or three months we were opening for Jimi Hendrix, Janis Joplin, all the San Francisco bands. Two years later, we packed up and moved to Los Angeles with about 12 demos.
- "Blonde on Blonde", SPIN, Vol. 13, No. 7 (October 1997), p. 92
- …People would say to me: ‘It would be very hard to be Mr. Stevie Nicks.’ And I’m going: well, yeah, probably, unless you were just a really nice guy that was really confident in himself, not jealous of me, liked my friends, enjoyed my crazy life and had fun with it. And, of course, there are very few men like that. I’m an independent woman and am able to take care of myself, and that is not attractive to men.”.
- On people viewing her as too unruly to settle down in “Stevie Nicks on art, ageing and attraction: ‘Botox makes it look like you’re in a satanic cult!’” in The Guardian (2020 Oct 14)
- …If I had not had that abortion, I’m pretty sure there would have been no Fleetwood Mac. There’s just no way that I could have had a child then, working as hard as we worked constantly. And there were a lot of drugs, I was doing a lot of drugs … I would have had to walk away…And I knew that the music we were going to bring to the world was going to heal so many people’s hearts and make people so happy. And I thought: you know what? That’s really important. There’s not another band in the world that has two lead women singers, two lead women writers. That was my world’s mission.
- On her abortion in “Stevie Nicks on art, ageing and attraction: ‘Botox makes it look like you’re in a satanic cult!’” in The Guardian (2020 Oct 14)
- I sat at my piano, a feminist woman, and I wrote it, to say that nothing you or anybody else can do to me can change the fact that, as the opening line goes: ‘Every night that goes between / I feel a little less.’...Freedom…I am a totally free woman, and I am independent, and that’s exactly what I always wanted to be.
- On her song “Storm” in “Stevie Nicks on art, ageing and attraction: ‘Botox makes it look like you’re in a satanic cult!’” in The Guardian (2020 Oct 14)
- It's just about a lady who's a goddess of steeds and a maker of birds.
- (on "Rhiannon") The Sex Revolts: Gender, Rebellion, and Rock 'n' Roll (1996: Harvard University Press), ISBN 9780674802735, p. 281.
- I look around at all the girl singers, and I think they're all my children... and they're all going to do this... And, yes, maybe I inspired them because I did get through a lot, and I did have the same problems that they're going to have. You do have to give up a lot for it.
- Lindsey [Buckingham] and I went up to Aspen and we went to somebody's incredible house and they had a piano and I had my guitar with me and I went in their living room, looking out over the incredible Aspen sky and I wrote 'Landslide.'
- When I thought I was dying in rehab in 1994, 'I Won't back Down' was my mantra. It lifted my up out of the pain and made me fight through it. 'The Waiting'... summed up my life. We can't stand waiting, we rock 'n' roll men and women. Tom Petty's songs are like a great book that you revisit when you need help. His songs make me better.
- "Tom Petty & The Heartbreakers", Billboard, Vol. 118, No. 12 (25 March 2006), p. 38
- That’s the words: "So I’m back to the velvet underground"—which is a clothing store in downtown San Francisco, where Janis Joplin got her clothes, and Grace Slick from Jefferson Airplane, it was this little hole in the wall, amazing, beautiful stuff—”back to the floor that I love, to a room with some lace and paper flowers, back to the gypsy that I was."
- (on the inspiration for "Gypsy") Leah Greenblatt, "Stevie Nicks On Her Favorite Songs: A Music Mix Exclusive", Entertainment Weekly, 31 March 2009
- I'm going to spend my life writing poems, turning them into music that will affect people and touch their hearts. I'm going to write the songs that people can't write for themselves.
- Kia Makarechi, "Stevie Nicks On Fleetwood Mac's Reunion Tour, Rihanna, Kanye West & Her Early Years In Music", Huffington Post, 3 December 2012
- We all did everything we could do to try and talk her out of [quitting]. But you look in someone's eyes and you can tell they're finished. As Taylor Swift would say: 'We are never ever getting back together ever!' That's what Chris was saying... But I'd beg, borrow and scrape together $5 million and give it to her in cash if she would come back. That's how much I miss her.
- (on asking Christine McVie to return in 2013) Caspar Llewellyn Smith, "Stevie Nicks: the return of Fleetwood Mac", The Guardian, 12 January 2013
- …The reason I chose that kind of a platform boot was because the rest of my outfit is so filmy and floaty that I thought: If you’re going to wear that outfit, if you just wore a pair of stiletto high heels with ankle straps, it would look really pretty, but it would be way too airy-fairy. But if you put on a pair of really strong suede boots to your knee, that have got a substantial little platform and a really good heel, then if somebody tries to drag you off that stage, you can seriously kick them with that boot. And so those boots are not just a fashion statement. They are to make people understand that I’m not a ballerina. As much as I would have loved to be a ballerina, I’m not a ballerina — I’m a rock ‘n’ roll singer. And so when people get too close to me, I can just feel my foot starting to raise, you know? It’s like my karate moment. A few times I’ve said, “Let go of my hand,” and some people don’t. And my foot starts to raise, and they get it, like, “I don’t want to be kicked with that boot. So I better back off.” So they have their moments where I feel like they’re a weapon.
- On how she might employ her “Cinderella” boots to ward off overeager fans in “Stevie Nicks on Her New Concert Film, the ‘Crazy’ Resurgence of ‘Dreams’ and Staying in Touch With the Spirits of Prince and Tom Petty” in The Variety (2020 Oct 25)
- …I put them in my journal. And if I have a really big, important show, I call in all my spirits, and I say, “Tom, stand behind me. Prince, stand with me.” I ask for their help, because I know they’re up there. The Prince thing started a long time ago, because sometimes even before Prince died, I would say that. I wish Prince was here and he could just walk with me out there; because of his performing ability and how good he was on stage, sometimes I’d just go, “Come with me.” And I really do feel the presence, you know. I mean, Tom and I were way, way better friends than I was friends with Prince, because I hardly ever saw Prince. When I did see Prince, we’d have some really important conversations, and we talked on the phone sometimes for a couple hours. But Tom was a different kind of friend. Tom was really my buddy friend. I spent a lot of time at Tom’s different houses, and a lot of time with his family when he was still married to Jane. And that was a very hard loss for me.
- On the loss of friends Tom Petty and Prince in “Stevie Nicks on Her New Concert Film, the ‘Crazy’ Resurgence of ‘Dreams’ and Staying in Touch With the Spirits of Prince and Tom Petty” in The Variety (2020 Oct 25)
Fleetwood Mac (1976)Edit
- She rings like a bell through the night
And wouldn't you love to love her?
- Dreams unwind
Love's a state of mind
- I'll begin not to love you
Turn around, see me runnin'
I'll say I loved you years ago
Tell myself you never loved me, no
And did you say she was pretty?
And did you say that she loves you?
Baby, I don't wanna know.
- Thunder only happens when it's raining,
Players only love you when they're playing,
Say, women, they will come and they will go,
When the rain washes you clean you'll know.
- I don't want to know the reasons why,
Love keeps right on walking down the line.
- Well, did she make you cry,
Make you break down,
Shatter your illusions of love?
Bella Donna (album) (1981)Edit
- The clouds, never expect it,
When it rains
But the sea changes color,
But the sea does not change
And so with the slow graceful
Flow of age, I went forth with an,
Age old desire to please,
On the edge of seventeen.
- Is love so fragile,
And the heart so hollow,
Shatter with words,
Impossible to follow,
You're saying I'm fragile, I try not to be,
I search only, for something I can't see.
The Wild Heart (1983)Edit
- No one knows how I feel,
What I say unless you read between my lines,
One man walked away from me
First he took my hand, take me home.
Rock a Little (1985)Edit
- A wound gets worse when it's treated with neglect.
Quotes about NicksEdit
- Stevie Nicks is the high priestess of her own religion, ruling a world of prancing Gypsies, gold-dust princesses, and white-winged doves, all without going anywhere near a sensible shoe. Like David Bowie or Bryan Ferry, she has spent a career turning her private fantasies into an elaborate pop mythology.
- Witchcraft became part of the rock sensibility in the '70s, when Stevie Nicks twirled onstage swathed in scarves, bathed in incense smoke, and illuminated by hundreds of candles.
- Maureen Callahan and Kim France, "Girls!", SPIN, Vol. 13, No. 8 (November 1997), p. 92.
- Stevie bridges the gap between the powerful rock singers of the sixties, like Janis Joplin and Grace Slick, and what's going on today.