Ranganathaswamy Temple, Srirangam

The Sri Ranganathaswamy Temple is a Hindu temple dedicated to Ranganatha, a form of the Supreme God, Maha Vishnu, located in Srirangam, Tiruchirapalli, Tamil Nadu, India. Constructed in the Dravidian architectural style, the temple is glorified by Alvars in their Divya Prabhanda and has the unique distinction of being the foremost among the 108 Divya Desams dedicated to The Supreme God Vishnu.

Quotes

• A Sanskrit inscription (No. 287, dated 1373 ce) in Grantha characters on the western wall of the temple, recorded restoration of the image by Gopana. The inscription contained a verse composed by Vedanta Desikar. The resumption of worship in the temple, “released the suppressed spirit of the people” . The inscription stated,
  Hail! Prosperity! In the Saka year (expressed by the chronogram) bandhupriya (i.e. Saka-Samvat 1293). (Verse 1.)
  Having brought (the god) from the Anjanadri (mountain; Tirupati), the splendour of whose darkish peaks gives delight to the world, having worshipped (him) at Chenchi (Senji, Gingee) for some time, then having slain the Tulushkas whose bows were raised, — Goppanarya, the mirror of fame, placing Ranganatha together with both Lakshmi and the Earth in his own town (i.e. Srirangam), again duly performed excellent worship. (Verse 2.)
  Having carried Rangaraja, the lord of the world, from the slope of the Vrishabhagiri (mountain; Tirupati) to his capital (i.e. Chenchi), having slain by his army the proud Taulushka soldiers, having made the site of Sriranga united with the golden age (Kritayuga), and having placed there this (god) together with Lakshmi and the Earth, — the Brahmana Gopana duly performs, like the lotus-born (Brahma), the worship which has to be practised . Gopana-Udaiyar gifted fifty-two villages to the temple, and Harihara II and his son, performed the tulapurusha ceremony
  • (South Indian Inscriptions Vol. XXIV: 1982: xiv-xv), (Epigraphia Indica 1981 Vol. VI: 330), (Epigraphia Indica 1981 Vol. VI: 322-325). in Jain, M. (2019). Flight of deities and rebirth of temples: Episodes from Indian history.268

• The Sriranganatha temple, ranked foremost of 108 Vaishnava shrines, was among the first to be attacked by the Delhi armies. Sriranganatha was celebrated by devotees as the koil - the temple par excellence.
  • Jain, M. (2019). Flight of deities and rebirth of temples: Episodes from Indian history.

South India and Her Muhammadan Invaders

Krishnaswami Aiyangar Sakkottai. 1921. South India and Her Muhammadan Invaders by S. Krishnaswami Aiyangar. Oxford: University Press.

• There is direct evidence to confirm this presumption in a work called Koyiloluhu. This is a work which deals with all the benefactions made to the temple at Srirangam by people from its foundation to almost the eighteenth century. ... This work has a few paragraphs devoted to the sack of Srirangam and the carrying away of the idol of Ranganatha, apparently under Malik Kafur. The account begins that the king of Delhi having conquered Pratapa Rudra, invaded both the Tondamanda- lam and Solamandalam. The invading armies spread along the whole country and made a general sack of temples carrying away the idols as well. In the course of this campaign, they entered Srlrangam as well, by the north gate, which was in the charge of the Arya Bhattas, the Northern Brahmans. The guards, by name Panjukondan, were over-powered, the temple was entered into and all the property was carried away including the idol of the god. There was a woman who had made it her daily habit never to take her food without worshipping the god in the temple. She was a native of Karambanur, otherwise called Uttamar- koil, on the other bank of the Coleroon. As the army was retreating after the sack, she gave up her household and followed the army in the guise of a mendicant having learnt that they were carrying away the idol of Ramapriya as well from Tirunarayanapuram (Melukottai). She reached ultimately the palace at Delhi where these idols were all locked up in a safe chamber. One of the younger princesses of the Sultan's family having been struck with the beauty of the Ranganatha idol, asked permission and obtained the idol to play with. She kept herself in the constant company of the idol. Knowing so much, perhaps feeling that the idol was in safe custody, the woman managed to steal away from the palace and journeyed back to Srirangam to give information of it to the people there.

• The more important among the citizens having deliberated as to what they should do, walled up the north gate of the temple and left the temple vacant burying the goddess idol that escaped capture under a bilva tree (Aegla Marmelos). Sixty of these men placed themselves under the guidance of the woman mendicant and set forward on their journey to Delhi. She put on the former guise and got entry into the palace as before. In the meanwhile those that followed her managed to get audience of the Sultan, and by exhibiting both the music and the dance for which they were famous, as having had to perform daily before the god, they pleased the Sultan so greatly and declined all rewards offered by the Sultan, preferring instead the one idol of Ranganatha, among the many, as the reward. The Sultan ordered that these men might be allowed to take the idol of their choice. Not finding this particular idol in the store-room and knowing as they did that it was with the princess, they reported the matter to the Sultan, who in joke told them that if it was their god they might call him and take him away. They agreed and sang their prayers, which the idol answered by following them. Showing this to the Sultan they obtained his permission and started off with their idol over-night. When morning broke, the princess was disconsolate at the loss of her idol and declined to live if she could not have it. Search for the party proving useless, he placed her under an escort and sent her off for the idol. The Brahmans of Srirangam having had a start, marched along ahead and reached Tirupati safe before they could be overtaken by the princess and her escort. At Tirupati they heard of the arrival of the party of the princess and feeling themselves unsafe, the party broke up and dispersed themselves to avoid observation leaving the idol in charge of three men among them, the father and son, and the son's maternal uncle. The big party having thus disappeared, the escort marched on till they reached Srlrangam. Finding that the northern gate of the temple was walled up and the temple empty, the princess died of a broken heart.

• In the meanwhile, the three men in charge of the idol heard of the advance of the Muhammadans closer to the hill ; fearing for their safety and that of the idol, the chief man tied himself down to the idol and asked the two others gently to let it down the slope of the hill, himself being always on the underside so that the idol may not suffer damage. Having got down safely, the three men lived on there in an isolated glen in the forest at the foot of the hill unfrequented by ordinary people. In the meanwhile, people at Srlrangam thinking it impossible to recover the idol, made and consecrated others, instead of those of both the god and the goddess. In the meanwhile the three men continued to live on doing their daily service to the god in the usual fashion. For a period of fifty-nine and a half years from the date of the sack, of which two years were spent in the palace of the Sultan, the idol of Srlrangam found its shrine in that sequestered glen. In the course of this long stay, the father and the uncle had died and the son had grown up to be an old man of eighty, looking more like a forest man than a civilized one. Feeling that his end was drawing near this one man showed himself to the hill folk about and let them understand how and why he happened to be there. Information of this reached the town by means of these people, and it happened to be the time of Gopana, who was in charge of Narayanapuram (Narayanavaram) near Chandragiri under the newly formed kingdom of Vijayanagar. He carried the idol to his later head-quarters at Ginji where he placed it in the temple called Singavaram even now, in a safe place difficult of approach even from Ginji itself. When Prince Kampana had over-powered the Muhammadan garrisons in the various localities in South India and brought the whole of it under the control of Vijayanagar, Gopana, his chief adviser got the idol re-installed in the temple at Srlrangam in the Saka year, 1293, A.D. 1370-71, in the year Paritapi, month Vaikasi, date 17.
  • 113ff

• While the annual festival in which the god is taken over- night to the banks of the Coleroon river, a little to the south-east of Srirangam — a festival lasting a few hours — was being celebrated, tidings came that an army of the Muhammadans had come in and occupied parts of the Tondamandalam (the two Arcots and Chingleput) and a small body of troops was marching rapidly towards Samaya- varam about five miles from the north bank of the Coleroon. The principal Brahman citizens of the town, who had assembled at the celebration of the festival and who were in charge of the temple, not having got through the festival cast lots in the presence of the idol whether to stay or to go. They got an answer directing them to stay. They stayed over therefore to complete the festival, and in the meanwhile information was brought to them that the flying column of the Muhammadans was dashing past Samaya- varam. They therefore made haste to wind up proceedings, and, sending away the god and the goddess, in a small palanquin under the escort of Lokacharya (Pillai Loka- charya) and a few stout-hearted followers and carriers, the assembled multitude got themselves ready for the attack. They had not to wait long before they were actually attacked, and destroyed in large numbers. From out of this massacre Vedantacharya escaped, with the two little sons of Srutaprakasikacharya, and the single manuscript of his famous commentary on the Sri Bhashya, and betook himself through unfrequented roadways to Satyamangalam on the borders of Mysore. Lokacharya and his companions took their way to the south for safety. Fearing that they would be overtaken if they went along the road, they seemed to have kept more or less close to the road, but avoided the road-way and proceeded slowly through jungles and unfrequented tracts across the state of Pudukotta. .... They therefore made a further detour to the east and getting through a more or less dense forest region, they came to a place called Jyotishkudi (Jyotishmatl- pura), where they lived a few months.
  During their residence there, information reached them that the bulk of the citizens of Srirangam were massacred, the temple itself sacked and desecrated, and all those citizens that Lokacharya knew and cared for had suffered death. On hearing this distressing account of what happened to his friends and companions he got ill and died. ....When they felt the road ways safe, they carried the image across to Tirupati. The story closes that from Tirupati, the image was taken over to Ginji by Gopana and ultimately got back to Srirangam.
  • 158ff