Portrait

artistic representation of one or more persons

In visual arts, a portrait is a painting, drawing, photograph, sculpture, or other likeness of a particular person (or perhaps a group of people), with an accurate (or somewhat accurate) image of the human face. The word “portrait” sometimes refers to literary or historical writing which biographically depicts a person.

Quotes

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  • The unusual personality of Alexander the Great is reflected in an extraordinary number of portraits. They begin in his early youth, and do not end with his death. They continue during the Hellenistic and Roman periods, and all subsequent periods down to modern times. The portraits of Alexander not only reflect the different phases of his short life but become an artistic motif for all following periods.
  • The fact that some of the noblest and most highly esteemed examples that survive to us of the best days of painting are those of portraiture is sufficient demonstration of the dignity of the art itself. To produce a portrait is to do much more than make a mere study of a head. Qualities of composition, balance of light and shade, appropriate accessories, and many other elements of a pictorial æsthetic nature combine to give dignity to the canvas and mark it as a work of art.
  • Independent portrait sculpture was revived around the middle of the fifteenth century in three main forms—the equestrian monument, the bust, and the medal. Equestrian monuments are over life-size, they were made by public decree, and were displayed in public places. Sculptured busts are life-size, were privately commissioned, and were displayed on private property. Medals are small in scale, they might be commissioned officially or privately, and they were intended for a selected audience that did not include the public at large but extended beyond the sitter's personal domain. ...
    None of these classes of portraiture had actually disappeared during the middle ages, but when they occurred they were included within some physical and conceptual context, such as church and tomb decoration, or ordinary coinage ...
  • ... It is part of the gift of time to us that a portrait, if only done ably, at last satisfies the generation which knew not the man portrayed. Even to old folk who once “saw Shelley plain,” and yet grow forgetful of the man's infinite variety, the portrait may serve.
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