Maksymilian Tchoń

Maksymilian Tchoń (born 27 June 1987) – a Polish poet, essayist and Polish scholar.

Maksymilian Tchoń

Femme. Parafraza z pamięci, Eng. Femme. Paraphrase of memory (2017, MaMiKo Publishing House - poetry)

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  • it’s time to start the spectacle, like the feet going uphill putting them on the hot sand it was tried to
    rub them off with the sharp stones to bruise them with the blames thrown from generation to generation to drown them
    in the quicksand to close the notebook in this place and open it for old age not until
    twenty-five years later in some other place and in some other circumstances, and there are many stars left

    to discover we could name them all with the heliocentric dictionary of our session
    I guess I won’t be wrong, if I say that it is easier to get some kilograms lost going uphill
    but if that will relieve us from the sin? which is holding on to the human nature and with a flower
    called an orchid will change the way to the slope on which the last teardrop ripped away from science will flow down

    I know that your goal is my salvation give me this bench let me rest on the leafless
    tree painted with the blood from the wounds blazing with the world heat – I know, all
    is expanding, and a cut flower withers the red roses that sprouted on the concrete today they will forget the act of
    the non-aggression pact on the regular basis I gave you my mark in the form of a poem so

    inhumanly growing inside the mouth, your strength is inexhaustible a new point is falling on the foundation
    of the world the cobblestone spread with blood I understood, that I have no chance to retreat only to run ahead of
    me like the cosmos is expanding and maybe someone will turn off the light – and from my sweet round sentences
    from the gently rounded commas the venom is oozing out.
    • Source: pol. Na podstawie „Dziennika z podróży ’85” Ryszarda Krynickiego (Eng. On the basis of Ryszard Krynicki’s “The Diary from the Journey ’85), from Pol. Femme. Parafraza z pamięci, (Eng. Femme. Paraphrase of memory), MaMiKo Publishing House, Nowa Ruda 2017, p. 75, ISBN 978-83-65795-06-9, translated into English by Anna Maria Mazur.

Rezerwat Znaków Przestankowych, Eng. Punctuation reserve (2018, Adam Marszałek Publishing House - poetry/essay)

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  • here is the sea, when we’re climbing up the ladder of singing:
    we, who are having the day sweetness penetrating into our lungs.
    The congratulations, the expressions, the discreet meetings
    with a reader, which are given by us are

    – the strict rules. Today, the water is the state of aggregation of
    the glass fear, the horror of time, which appears
    on the order of the civilian chapter – That’s what I’ve stated,
    and after all the city didn’t dazzle me, degrading

    the scale of poets’ unfortunate deaths, the grudges
    in the name of the Universe, (the pulled out weeds. I escaped
    from the crime scene, not feeling the coloration of
    this poetry). Me, poured into the bottles, I’m putting my hand

    on the suitcases, being delirious, only on the way having
    the fixed priorities, (reading poetry – don’t go
    into the basement, you floating comma), – a root and a leaf
    are cooperating, an oak is surviving the beginning, the mantra

    of the lost generations. Where are the clay flasks lying
    the flasks of absolved whines? And our home, it is an open heart of
    Descartes, today the abnormality of the art is giving rise to
    doubts, (everything is based on

    talents).
    • Source: pol. Wszystko opiera się na talentach (Eng. Everything is based on talents), from Pol. Rezerwat Znaków Przestankowych, (Eng. Punctuation reserve), Adam Marszałek Publishing House, Toruń 2018, p. 13, ISBN 978-83-8019-803-6, translated into English by Anna Maria Mazur.
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  • [1] (Biography on Wikitia)
  • [2] (Author in the largest opinion-forming book service in Poland)