File:Peter Paul Rubens - Rubens and Isabella Brant in the honeysuckle bower.jpg

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Summary

Peter Paul Rubens: - Rubens and Isabella Brant in the honeysuckle bower  wikidata:Q571416 reasonator:Q571416
Artist
Peter Paul Rubens  (1577–1640)  wikidata:Q5599 s:sl:Peter Paul Rubens q:en:Peter Paul Rubens
 
Peter Paul Rubens
Alternative names
Rubens, Pierre Paul Rubens, Pieter Paul Rubens, Sir Peter Paul Rubens
Description Flemish painter, sculptor, drawer and printmaker
Date of birth/death 28 June 1577 Edit this at Wikidata 30 May 1640 Edit this at Wikidata
Location of birth/death Siegen Edit this at Wikidata Antwerp Edit this at Wikidata
Work period 16th century
date QS:P,+1550-00-00T00:00:00Z/7
 Edit this at Wikidata
Work location
Antwerp (1589-1600), Mantua (9 May 1600-1608), Spain (1603), Antwerp (1608-1640), Netherlands (1612), Paris (23 May 1623-29 June 1623, 4 February 1625-9 June 1625), Calais (November 1626), Paris (December 1626), City of Brussels (1627), Netherlands (10 July 1627-6 August 1627), Spain (26 August 1628-29 April 1629), London (18 May 1629-23 March 1630), City of Brussels (1631), Netherlands (November 1631), Affligem (September 1634)
Authority file
creator QS:P170,Q5599
 Edit this at Wikidata
image of artwork listed in title parameter on this page
Title
English: Rubens and Isabella Brant in the honeysuckle bower
Nederlands: Rubens en Isabella Brant in een prieel van kamperfoelie
Object type painting Edit this at Wikidata
Genre self-portrait Edit this at Wikidata
Description
Directly after his return from Italy, the 32 year old Rubens married the 18 year old Isabella Brant. This double portrait, which broke new ground in portrait painting, was purportedly done shortly thereafter. Rubens did not however give up using traditional symbolism: Honeysuckle was a well known symbol for faithfulness and hands laid over one another ("dextrarum iunctio") have symbolized matrimony since ancient times. However these references are integrated into this snapshot-like scene in which middle-class contentedness, substantial affluence and strong affection are expressed.
Depicted people
Date from 1609 until 1610
date QS:P,+1650-00-00T00:00:00Z/7,P580,+1609-00-00T00:00:00Z/9,P582,+1610-00-00T00:00:00Z/9
 Edit this at Wikidata
Medium oil on canvas mounted on panel
Dimensions height: 178 cm (70 in) Edit this at Wikidata; width: 136.5 cm (53.7 in) Edit this at Wikidata
dimensions QS:P2048,+178U174728
dimensions QS:P2049,+136.5U174728
institution QS:P195,Q154568
institution QS:P195,Q812285
Accession number
Place of creation Antwerp Edit this at Wikidata
Object history Aus der Düsseldorfer Galerie
References
Authority file
Source/Photographer https://www.sammlung.pinakothek.de/de/artwork/o5xrMEr47X
Other versions Detail of hands: Image:Peter Paul Rubens 105 1.JPG

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
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Date/TimeThumbnailDimensionsUserComment
current09:23, 6 August 2024Thumbnail for version as of 09:23, 6 August 20243,382 × 4,499 (11.04 MB)Hallaluja{{Artwork |wikidata = Q571416 |title= {{en|''Rubens and Isabella Brant in the honeysuckle bower''}} {{nl|''Rubens en Isabella Brant in een prieel van kamperfoelie''}} |description = {{langSwitch|en=Directly after his return from Italy, the 32 year old Rubens married the 18 year old Isabella Brant. This double portrait, which broke new ground in portrait painting, was purportedly done shortly thereafter. Rubens did not however give up using traditional symbolism: Honeysuckle was...

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