Adrian Snodgrass is an Australian architect and scholar in Buddhist studies and Buddhist art. He has developed theories in the area of hermeneutical philosophy and its application to knowledge production and cross-cultural understanding. Snodgrass is co-editor of the journal Architectural Theory Review and Editor of Architectural Theory.
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- The svastika, commonly used as an aniconic representation of the Buddha, is also homologous with the wheel. If the svastika is compared with the figure of the cross inscribed within a circle, the basic equivalence of the two symbols is apparent, the rotation of the wheel being indicated in the first case by the circumference of the circle and in the svastika by the lines at right angles to the four arms of the cross, which are to be thought of in the manner of ribbons streaming in the wind. Like the wheel, the svastika represents movement about a fixed and unmoving axis and, like the wheel, it is a symbol of the generation of universal cycles from a forever-Present Centre. It represents the generation of currents of energy, and is a symbol of the action of immutable Principle, the "unmoved mover", within manifestation.
- The Symbolism of the Stupa (1992), pp. 82-3.