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Adaobi Tricia Nwaubani

Nigerian novelist

Adaobi Tricia Obinne Nwaubani (born in 1976) is a Nigerian novelist, humorist, essayist and journalist. In the year 2009, I Do Not Come To You by Chance was recognized by the Washington Post group as one of the best books of the year and went on to win the African First Book Category in the Commonwealth Writers Prize 2010 and even secured her a Betty Trask First Book award. She ventured into Young Adult Fiction when she cue to publication Buried Beneath the Baobab Tree, a novel crafted from the real-life journeys of girls held captive by Boko Haram. The book was released in September 2018 after it was acquired by HarperCollins. The book was awarded the 2018 Raven Award for Excellence in Arts and Entertainment and was also recognized as among the ALA best young adult fiction. The books was also selected as a Notable Social Studies Trade Books for Young People 2019.

Quotes

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  • My novel came before the story: I decided to write a novel before I knew what to write about. The story wasn’t burning in my heart or bursting to be let loose on the page. It didn’t feel like there was this one story that I had to tell. But I have always been fascinated by why people do the things they do. While trying to come up with ideas for my novel, I decided on a story that explored that.
  • It would have to be one of those dangerous pieces of advice that people dish out all over the place. A particularly popular one is: Follow your heart. What if the person’s heart is leading them into a dungeon of doom? What if the person’s heart is filled with foolishness? ‘Follow your heart’ is not just unwise counsel; it is a recipe for anarchy. Imagine a world where each of us followed our heart to wherever it led us, without caring for the people around us or the laws of the land.
  • Everyone can tell a story, but the skillful use of words is what I usually find captivating when reading a piece. The imagery. The alliteration. The emotion. The quotable quotes. Think Shakespeare. Think the Pied Piper of Hamelin. The skillful placing of word against word is what builds the masterpiece and turns a story into a memorable work of art. I often tell people how fascinated I was with Arundhati Roy’s The God of Small Things. But while I have absolutely no recollection of the plot, I still remember how struck I was by her use of words. Her writing was pure art.
  • I spit out everything onto the page, from beginning to end, and then go back and edit. I’m one of those people who like to tick off things on my to-do list; so, it helps me psychologically to get to the end first, and then settle down to revise.
  • I Do Not Come To You By Chance is set in the world of Nigeria’s 419 scammers. It was a world I was very familiar with having grown up in South East­ern Nigeria. There were lots of people, lots of young men I knew who were going to, who were 419 scammers. So I wanted to write a story of how people from good homes, people from the kind of home I came from could become international financial terror­ists.
  • If it was authoritarian for the Nigerian government to ban the use of Twitter, it was even more problematic for an American swivelling in a chair in Silicon Valley to poke their finger into the internal affairs of a sovereign African state.

I Do Not Come To You By Chance (2009)

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  • Although his position on the family tree could not be described in anything less than seven sentences, Odinkemmelu was introduced to us as our cousin.
    • Page 24
  • He brought out an it-was-white handkerchief from his trouser pocket and wiped the sweat from his brows.
    • Page 59
  • Dear Friend, I do not come to you by chance. Upon my quest for a trusted and reliable foreign business man or company I was given your contact by the Nigerian chamber of Commerce and Industry, I hope that you can be trusted to handle a transaction of this magnitude.
    • Page 178
  • Is honesty an achievement? Personality is one thing, achievement is another thing. So what has your father achieved? How much money is he leaving for you when he dies? Or is it his textbooks that you’ll collect and pass on to your own children?
    • Page 153
  • Odinkemmelu took his body odor away to the kitchen and returned with a teaspoon of salt.
    • Page 17
  • My tender triceps started grumbling
    • Page 19
  • My father was a walking encyclopedia, and he flipped his pages with the zeal and precision of a magician.
    • Page 22
  • Cash Daddy’s cheeks were puffy, his neck was chunky, his five limbs were thick and long.
    • Page 213
  • Make una come see o, Graveyard don begin dey use perfume.
    • Page 29
  • At age seven, when it was confirmed that her right hand could reach across her head and touch her left ear, Augustina moved back to her father’s house and started attending primary school. Being long and skinny had worked to her advantage.
    • Page 72
  • Boniface — aka Cash Daddy — is an exuberant character who suffers from elephantiasis of the pocket. He's also rumored to run a successful empire of email scams. But he can help. With Cash Daddy's intervention, Kingsley and his family can be as safe as a tortoise in its shell.
    • Page 50
  • For much of his young life, Kingsley believed that education was everything, that through wisdom, all things were possible. Now he worries that without a 'long-leg' — someone who knows someone who can help him — his degrees will do nothing but adorn the walls of his parents' low-rent house.
    • Page 28
  • Being the opara of the family, Kingsley Ibe is entitled to certain privileges — a piece of meat in his egusi soup, a party to celebrate his graduation from university. As first son, he has responsibilities, too. But times are bad in Nigeria, and life is hard.
    • Page 5
  • When a tragedy befalls his family, Kingsley learns the hardest lesson of all: education may be the language of success in Nigeria, but it's money that does the talking.
    • Page 35
  • Unconditional family support may be the way in Nigeria, but when Kingsley turns to his Uncle Boniface for help, he learns that charity may come with strings attached.
    • Page 44
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