Open main menu

Wikiquote β


Stingers (1998–2004) was an Australian drama series about undercover cops - people with covert lives and constantly changing identities. It reveals the shadowy and ambiguous life of police who work behind enemy lines - always without a badge and frequently without protection. Please note: quotes do contain some mild coarse language and some sexual remarks.

Season 1Edit

Ratcatcher [1.1]Edit

[Peter had just gotten back from an undercover operation and is about to met Kaye. Oscar is talking to Kaye when Mac and Pete walk up together.]
OSCAR: We've been talking about you
PETER: Well there you go
MAC: The male ego never ceases to amaze me
PETER: What’s wrong with the male ego
MAC: I'm not allowed to say - secret woman’s business, it's how we stay on top
PETER: Been taking those Germaine Greer tablets again
MAC: *confused* Pardon
PETER: You're showing your age you know
[Mac gives him a dirty look and keeps walking]

[Pete was punched at the start of the episode, in a sting, by a cop to make it look more real. Pete is now in a pub with Ron Gallagher, the target, and the police officer makes an appearence]
COP (to Pete): Hey wanker, how’s the eye
RON: Who’s that friggin smartass
COP: Don't worry I won't tell a soul
PETER: Don't worry he's a cop
[Pete gets up and walks towards him. He punches the cop in the face then grabs his shirt and talks into his ear]
PETER: I'm working Dickhead
[Pete punches him again this time in the stomach, the cop is lying on the floor gasping for breath]
PETER: Authentic enough for you

PETER: I'm not wearing a wire
MAC: Then how can we back you up
PETER: From a distance
MAC: I don't like it
PETER: I'm playing it safe
BERNIE: That’s a matter of opinion
MAC: You're aiding and abetting a robbery I'm not even sure if it's the right way to go
PETER: Were not arresting anyone... I'm um…. bonding. Isn't that what you wanted
[Mac smiles]
MAC (blokey voice): then take em to a footy match
PETER (laughing): Come on we're on a roll. I'm in on a robbery, thumped a cop
MAC: I want you to wear a wire

[Garry is Ron Gallagher’s brother]
RON: Get your gear off
GARRY: Ron, what are you doing
RON: What if he's a pig
GARRY: He's a thieving bastard
RON: He's a smart thieving bastard, get your gear off
[Pete takes all his clothes off. Standing in front of Ron and Garry naked]
PETER: See anything you like
RON: Nah you’re not my type

Hit Me [1.2]Edit

[Newstead’s doing his morning swim]
OSCAR: Fit bastard!
BODYGUARD: Every morning, rain, hail or shine...

ANGIE: Oi Church! Step out of the fast lane you nearly ran be over back there!
PETER: I need the attention. You’ve been ignoring me lately.
ANGIE: I think you can live without my acknowledgement.
PETER: Yeah, but life wouldn’t be so sweet.
ANGIE: You know I think that outfit is beginning to affect your personality.
PETER: Yeah, how’s that?
ANGIE: Well you’re becoming a legend in your own spiffy suit.
ANGIE: Before you know it you’ll be bulldozing national trust buildings.
PETER: Yeah, maybe a really old one.
ANIGE: Oh, you’re a worry.

PETER: And you reckon I’m good at this job.
MAC (whispering): Come on, Pete.
PETER: Never ends, does it.

The Initiation [1.3]Edit

Show The Dead Mouse pt.1 [1.4]Edit

Show The Dead Mouse pt.2 [1.5]Edit

MAC: Okay, let's go through it one more time.
JERRY: I want my lawyer.
BILL: Get out of here.
JERRY: I'll do a lie detector test.
BILL: You'll kiss my arse, get out! You're suspended from further duties.
JERRY: You can't sack me. I resign.
BILL: Just go.

Backlash [1.6]Edit

[Mac and Pete are lying in bed, in one of their hundreds of motels]
MAC: What are we doing Peter?
PETER: Having a rest. We just earned it.
MAC: I’m not talking about that!
PETER: Well what are you talking about?
MAC: The future.
PETER: What about the future?
MAC: We don't have one.
PETER: No future, no past. Isn't that what it’s supposed to be?
MAC: Mmm yeah.

BERNIE: Peter, where are you off to?
PETER: Somewhere dark and quiet with cold beer, where I can lick my wounds and dream about boats...
BERNIE: Boats?
PETER: You treat 'em right and they whisper sweet nothings in your ear and rock you gently to sleep...

BERNIE: I hate to think you two are breaking the cardinal rule and socializing together when you’re off duty.
PETER: Come on Bernie, you know we’ve hardly got a social word for one another.
BERNIE: Yeah well who ever said that business and pleasure don't mix was right on the money.
MAC: Absolutely.
PETER: No question.
MAC: Night Bernie.
PETER: See you.

Innocents Abroad [1.7]Edit

[Oscar is in the car with a girl who has been charged with the possession of illegal drugs. If this girl helps Stone by introducing him to her supplier, she gets a good word put in for her when it comes to her sentencing.]
OSCAR: So tell me again, this Jeremy, your supplier?
GIRL: Well he’s English. He likes English backpackers, that’s why he hangs round ‘ere. They don’t care what they do for a buck and they don’t stay long enough for the drug squad to pay attention.
OSCAR: What else?
GIRL: He’s Gay! Might help you if you’re that way inclined yourself.
OSCAR: Give me a break.

[Church and Oscar are driving back from a drug dealer’s house, where they have just set up a buy. There are two young, English backpackers, Hannah and Claire, living with him.]
PETER: So you’re screwing her?
OSCAR: Wha…?
PETER: Peaches and cream, the English rose...
OSCAR: Hannah?
PETER: (copying him) Hannah, yes Hannah!
OSCAR: She’s got nothing to do with Jeremy.
PETER: She shares his house!
OSCAR: But…It’s a living arrangement, they do the cleaning, cook him meals.
PETER: Come on.
OSCAR: Hey she’s how I made the contact; she’s how I got his trust.
PETER: So leave it at that.
OSCAR: Don’t I get a personal life?
PETER: Not on the boss’s time. She thinks you live in Queensland.
PETER: She thinks you sell boats, she’s half thinking of joining you in Byron Bay! Are you comfortable with that?
OSCAR: No not entirely. Come on Church you know how it is. You develop a cover you play the part, you almost think its true.
PETER: Except she’s the one you’re meant to fool! Finish it before you stuff the operation.

[Bernie, Oscar and Mac in Bernie's office, discussing Oscar’s bust.]
MAC: But what if he knows you’re a cop?
OSCAR: I’ll take the risk.
MAC: We’ve got nothing to loose? (Looks at Bernie)
BERNIE: Except Oscar! All right, okay Mac. He's to have back up at all time, and wear a wire.
MAC: You’re sounding more and more like me.
BERNIE: Don't push me.
MAC: No, no, I approve, I approve.

Blind Love [1.8]Edit

PETER: Chalk and cheese ay!
MAC: (Turns to face him) Don’t take me so literally Peter I was just building a cover story!
PETER: For the record, I don’t really prefer life by myself...
[Mac nods, almost laughing.]
MAC: I said, who knows what’ll happen!

Jelly Babies [1.9]Edit

[A drug bust gone wrong, its turned into a siege, Bernie it talking to the instigator. Bernie is playing negotiator]
MURRAY: Shut up Bernie, let me finish. You see I’ve uncovered one of your undercover dudes and he’s on his knees right now. Praying to Christ that I don’t get any more pissed off than I already am right now. You their Bernie? Oh don’t go all-quiet of me mate.
BERNIE: So how do we resolve this?
MURRAY: Well I’m glad you asked that Bernie, I really am you see it’s real easy, 5 minutes, no chopper and you’ve got a man down. Isn’t that what you say? Isn’t that what the copper’s say Bernie, we’ve got a man down?
BERNIE: Look, Murray I’m hearing you on this but-
MURRAY: But! Oh Bernie, it’s the big B word that’s the problem with you guys, you won’t listen to me.
BERNIE: Murray listen!
MURRAY: First you want me to talk, now you want me to listen well you listen. 5 minutes, no chopper your man goes down, another 5 minutes... let’s see which will it be... the yuppie, or the drug dealer, eenie, meeni miney, moe. Bernie you still their Bernie?
BERNIE: Yeah I am here.
MURRAY: Just one more thing mate. (bangs the phone down on the hook)
BERNIE: (Radios Mac in the Com-Vee) Van 1.
MAC: Van 1.
BERNIE: I think they’ve uncovered Church.
MAC: Oh No…!
OSCAR: What?
MAC: They’ve uncovered Church.

Nothing Personal [1.10]Edit

[Mac and Pete were on their way home together, but Mac pulls up at Flinders St Station, with a car pulling up behind her.]
PETER: What are we stopping here for?
MAC: It’s a railway station.
PETER: Don’t I get a lift home?
MAC: Not tonight Peter. (Pete glances in the rear vision mirror and sees that IA guys are following them)
PETER: You got to be joking. What does this dog want?
MAC: Who knows, maybe they’re just fishing.
PETER: Bullshit, I hope its nothing to do with the buy.
MAC: What do you mean?
PETER: I don't know, I don't trust Mooney.
MAC: You get the report back from the lab?
PETER: Yeah, 97%
MAC: That’s pure.
PETER: Mmm something’s still not right though.
MAC: Been any complaints?
PETER: I’ve got a complaint, you’ve been ignoring me.
MAC: Go home Peter, abstinence makes the heart grow fonder.
PETER: I haven’t had a drop for 24 hours.
MAC: You better go.
PETER: When this is over, it won’t be soon enough.

Ten Foot Tall & Bullet Proof [1.11]Edit

[Angie and Stone are bugging a cheap, hotel room.]
ANGIE: What do ya reckon?
OSCAR: Yeah, as good a place as any.
ANGIE: God-what’s that smell? Old socks?
OSCAR: Love gone wrong!
ANGIE: (Laughs) Yuck, how can anyone get horny in a place like this.
OSCAR: (Sitting on the bed) You’d be surprised! (Bounces on the bed)
OSCAR: How’s it going?
ANGIE: Yep, almost done. I reckon he makes the call from here, after he’s done his business. Then heads back to the office.
OSCAR: Mm, probably, let’s go.
ANGIE: Hope he’s not a screamer! (They leave)

[Angie and Mac are inside the Van, listening to Mr. Phillips and his personal assistant Taya Mitchell]
MR. PHILLIPS: Oh Oh, ooh, oh god, oh yeah!
[Angie shuts her eyes and cringes.]
MR. PHILLIPS: Oh ohhh….
ANGIE: Join the Police Force and listen to people screwing! (Laughing) Not my idea of a fun afternoon!
MAC:(Laughing as well) I don’t think it’s hers either!
ANGIE: Doesn’t sound like it. Haven’t heard a peep out of her.
[Angie’s mobile rings, she takes the head set off and picks it up.]
ANGIE: Van 1.
BERNIE: Angie it’s Rocca, it’s the airport route that’s going to be hit but Phillips could still change it.
ANGIE: Okay, yep.
BERNIE: I’ll keep you posted. (Hangs up)
MR. PHILLIPS: (Through the microphone in the hotel) I’ve gotta get back to the office, I just need a quick shower.
MAC: No he’s getting into the shower, it can’t be him. (A modem is heard.) Oh what was that?
ANGIE: What? (She puts the head set back on, more beeping noises.) It’s a modem!
MAC: But he’s still in the shower! It’s not him.
[They look at each other.]
Together: It’s her!

Faking It [1.12]Edit

[Oscar is in hospital in a coma, after being bashed by a biker, and his father is answering some questions]
NURSE: Has Cameron ever suffered any other kind of head injury, concussion or whiplash?
DAD: Not as far as I know
NURSE: We really need to know for certain. Well does Cameron smoke?
DAD: Not when he was living at home.
NURSE: Mr. Pierce you understand that we really need this information if the MRI scan’s going to be reliable.
[Angie walks in.]
DAD: Perhaps you could ask Michelle (as Angie is undercover as Michelle, Oscar's girlfriend)
NURSE: (Smiles) Do you know if Cameron smokes?
ANGIE: No he doesn’t.
NURSE: Is he currently taking any kind of prescribed medication, natural therapies or drugs?
ANGIE: Um, no.
NURSE: You sure?
ANGIE: Pretty sure.
NURSE: Okay! Thanks. The orderly will take him in shortly.
DAD: Is there anything we can do? I feel so useless just sitting here.
NURSE: Well you can actually try talking to him, even though he looks asleep they are sometimes able to hear.
NURSE: The sound of your voice might snap him out of it.
[She leaves. Angie goes round to the other side of the bed and takes his hand.]

[Oscar is still in hospital, but he has woken up from the coma. His father had just left and Angie is visiting, saying goodbye to his Dad, and bringing some fruit to Oscar]
OSCAR: Now how the hell am I going to get away with that? You realize what you’ve done with this whole girlfriend stuff?
ANGIE: Well you’ll think of something.
OSCAR: Thanks a lot Ange. He never forgets you know.
OSCAR: He’ll be pestering me. ‘Where’s Michelle? When are you going to be bringing her home?’
ANGIE: Well I guess we’ll just have to split up.
OSCAR: What? You mean this could be the end of a beautiful relationship?
ANGIE: Well it would never work would it? You and me (Long pause)
OSCAR: No, I guess not. (They both laugh, and Angie throws a grape into his mouth)

Right On Target [1.13]Edit

[Angie and Oscar are on the beds in the rest room, Angie is half-asleep. Oscar is laying awake thinking, after he was nearly shot]
OSCAR: Ange? Do you ever think about dying? I mean what happens afterwards?
ANGIE: (Sleepily.) Well hopefully a lot of people will come to my funeral.
OSCAR: I’m serious.
ANGIE: Dunno.
OSCAR: I used to go to Sunday school as a kid, but it never made much sense to me.
ANGIE: What? You mean the stories? The Bible and all that?
OSCAR: Yeah.
ANGIE: I can’t imagine you at Sunday school, in short pants (Angie laughs, but Oscar remains serious.)
OSCAR: If you were going to get killed, and you had a way out, you’d take it right?
ANGIE: Course.
OSCAR: That’s the whole point of religion. Helps us face our own mortality.

Without Fear Or Favor [1.14]Edit

Lunatic Fringe pt 1 [1.15]Edit

PETER: Mac, We all live lies. Some of us are just more honest about it.

Lunatic Fringe pt 2 [1.16]Edit

MAC (To Bernie): You never asked if I was in love with him... (refering to Peter)

Talker [1.17]Edit

Into the Cold [1.18]Edit

Lone Hand [1.19]Edit

Proving Ground [1.20]Edit

Cast Off [1.21]Edit

[Angie and Stone are both lying on their stomachs, spying on Church and his girlfriend]
ANGIE: Yep, he's seen us.
OSCAR: Talk about sleeping with the enemy. (Takes a bite of his sandwich).
[Angie, seductivly, turns onto her side, lightly brushing Oscars side with her hand]
ANGIE: Hey Stone, don't you think it's fortunate, I'm not the slightest bit attracted to you?
[Oscar returns the glance and points at her as if ready to talk]
ANGIE: Sexually I mean.

[A little later Stone runs across to Church's yacht to plant a bug in it]
OSCAR: Alfa one to base, Alfa one to base, coming to you live from the ship Com-Vee.
MAC: Receiving you loud and clear.
OSCAR: Don't touch that dial. I'm out of here.
MAC: Negative, stay in the facility.
OSCAR: Copy that.

[Later that day Stone is pretending to be doing some fishing at the pier when Church rocks up]
PETER: What?
OSCAR: What? What?
PETER: Come to give advice to the prodigal son.
OSCAR: I'm just fishing.

Dead Man's Throw [1.22]Edit

Season 2Edit

Salsa pt.1 [2.1]Edit

Salsa pt.2 [2.2]Edit

Set For Life [2.3]Edit

The Big Picture [2.4]Edit

Rat Trap [2.5]Edit

Finders Keepers [2.6]Edit

Playing With The Celibate Dead [2.7]Edit

White Lies [2.8]Edit

Mr. Right [2.9]Edit

The Favor [2.10]Edit

Judus Kiss [2.11]Edit

Counting The Beat [2.12]Edit

Just Acting [2.13]Edit

Unnatural Justice [2.14]Edit

Dance With The Dragon [2.15]Edit

The Long Haul [2.16]Edit

Swarm [2.17]Edit

Men In The Dark [2.18]Edit

Full Term [2.19]Edit

House Rules [2.20]Edit

Signal One [2.21]Edit

The Dingo [2.22]Edit

Season 3Edit

Brilliant Lies [3.1]Edit

Forced Perspective [3.2]Edit

PETER: Hello Dad.
OSSIE: What the hell do you want? Piss off.
PETER: Dad, I wanted to come...
OSSIE: I don't care what you want. Piss off.

Which Bank? [3.3]Edit

Twisted Sister [3.4]Edit

Unplaced Favourite [3.5]Edit

No Way Out [3.6]Edit

Church and Danni are arriving at a wedding, undercover as a couple.
Pete: How do I look?
Danni: You'll do
Pete: What happened to gorgeous? ..spunky??

Necessary Force [3.7]Edit

No Pain, No Gain [3.8]Edit

Heartline [3.9]Edit

Mob Rules [3.10]Edit

A Marriage To Die For [3.11]Edit

In Too Deep [3.12]Edit

The Last Hit [3.13]Edit

Fine Details [3.14]Edit

Truly, Madly, Deeply [3.15]Edit

The Good Life [3.16]Edit

Second Chance [3.17]Edit

Every Move You Make [3.18]Edit

A Matter Of Trust [3.19]Edit

Spare Parts [3.20]Edit

Organised Crime [3.21]Edit

Something Old, Something New [3.22]Edit

Season 4Edit

Snakehead [4.1]Edit

Rich Man's World [4.2]Edit

Beyond Redemption [4.3]Edit

Tell Me You Love Me [4.4]Edit

Fool To Want You [4.5]Edit

Family Values [4.6]Edit

Whatever It Takes [4.7]Edit

Into The Darkness [4.8]Edit

Foster Cops [4.9]Edit

The Whisper Room [4.10]Edit

Feud [4.11]Edit

One Of Us [4.12]Edit

Slice [4.13]Edit

Dog Eat Dog [4.14]Edit

Love Hurts [4.15]Edit

Psychotic Episode [4.16]Edit

Closure [4.17]Edit

True Colours [4.18]Edit

Too Many Cooks [4.19]Edit

Just Another Day [4.20]Edit

Reunion [4.21]Edit

Do The Right Thing [4.22]Edit

Season 5Edit

Thin Ice [5.1]Edit

An Anonymous Guy [5.2]Edit

Cash On Delivery [5.3]Edit

What's Love Got To Do With It? [5.4]Edit

A Little Crush [5.5]Edit

No Promises [5.6]Edit

Mule Train [5.7]Edit

White Ants [5.8]Edit

In The Gun [5.9]Edit

In Plain View [5.10]Edit

Fatal Flaw [5.11]Edit

Trust [5.12]Edit

Big Fish [5.13]Edit

DMZ [5.14]Edit

Blow Off [5.15]Edit

Inside Man [5.16]Edit

Mind Games [5.17]Edit

Disgraceful Conduct [5.18]Edit

Smoke and Mirrors [5.19]Edit

Too Much Information [5.20]Edit

Pale Horse [5.21]Edit

A Girl's Best Friend [5.22]Edit

Season 6Edit

Collateral Damage [6.1]Edit

The Last Dance [6.2]Edit

Teamwork [6.3]Edit

Looking After Number One [6.4]Edit

Old Scores [6.5]Edit

Separation Anxiety [6.6]Edit

Slow Hand, Easy Touch [6.7]Edit

Scratch Me Lucky [6.8]Edit

Payback [6.9]Edit

The Whole Truth [6.10]Edit

Breakdown [6.11]Edit

Partners In Crime [6.12]Edit

Revenge Of The Turtles [6.13]Edit

Uriel's Swords [6.14]Edit

Season 7Edit

Lies and Secrets [7.1]Edit

Pentimento [7.2]Edit

Cul-De-Sac [7.3]Edit

Your Cheating Heart [7.4]Edit

Don't Look Back [7.5]Edit

Snakes In The Grass [7.6]Edit

Aftershocks [7.7]Edit

Priapus' Playground [7.8]Edit

The Eighth Day [7.9]Edit

Sex & Drugs & Deep House [7.10]Edit

New Blood [7.11]Edit

Cold War [7.12]Edit

Acts Of Love [7.13]Edit

Heartbeat [7.14]Edit

Sons & Lovers [7.15]Edit

It Started With A Kiss [7.16]Edit

Wild Card [7.17]Edit

Practice Of Deceit [7.18]Edit

Killing Heidi [7.19]Edit

Sleeping With The Enemy [7.20]Edit

A Horse Is A Horse [7.21]Edit

Conversations With The Dead [7.22]Edit

Free Radical [7.23]Edit

Daddy's Little Diamond [7.24]Edit

Time Out [7.25]Edit

Perfect Match [7.26]Edit

Boosted [7.27]Edit

One Perfect Day [7.28]Edit

Troppo Fest [7.29]Edit

Train Wreck [7.30]Edit

The Thin Blue Line [7.31]Edit

Love's Labour Lost [7.32]Edit

Fashion Victim [7.33]Edit

Total Recall [7.34]Edit

The Wrong Man [7.35]Edit

Leo: "Why, Whats Walken got that I haven't got?"
Peter: "Money... Power... a sense of danger"
Leo: "I've got that!!"
Peter "not like a hitman who's wanted for 5 unsolved murders you haven't"

Chris: "Boss, He's wearing Walkens jacket!?"
Harris: "Oh, So now Church thinks he's a hitman?"

Harris [in interview room interviewing the hitmans target, who happens to own a plastic cutlery factory]: "Yes, the banks of security cameras and the steel gates out the front of your property suggest that you've already taken the necessary precautions...." [Leans forward with a serious expression] "Is someone after the plastic spoons??"

The Weakest Link [7.36]Edit

Twilight [7.37]Edit

The Object Of My Affection [7.38]Edit

From Russia With Love [7.39]Edit

Cops And Robbers [7.40]Edit

Bryan: "My son Frank started jazz ballet today
Harris [Uninterested]: ".... Really?"
Bryan: " ...Yeah! ... That'd be your son one day"
Harris: " I doubt it [awkward pause] well, if you will excuse me, I need the urinal"

Season 8Edit

Hammer Horror [8.1]Edit

Harris[In reference to Reg 'the ferret' Masters] : "Small furry animals are frequently skittish"

A Square Inside The Circle [8.2]Edit

Family Ties [8.3]Edit

The River Of No Return [8.4]Edit

Brave New World [8.5]Edit

No Mans Land [8.6]Edit

One More Chance [8.7]Edit

Break And Enter [8.8]Edit

House Of Mirrors [8.9]Edit

Roman Charity [8.10]Edit

Starlight Hotel [8.11]Edit

CHRIS: Morning.
LEO: Hey.
LEO: Mm…
CHRIS: You Know Katherine.
LEO: Yes, I know Katherine.
CHRIS: She’s a bit of a spunk isn’t she?
LEO: Na…
CHRIS: Yes she is, she’s hot!
LEO: No, no, I don’t see it.
CHRIS: You gotta open your eyes boy.
LEO: Mate, ya wasting your time, she’s on my side.
CHRIS: Now, I’m the one who can pick them and I say she bats on my side.
CHRIS: Oh, you’re jealous aren’t you?
LEO: Oh…um…no.
CHRIS: 20 Bucks, may the best man win…
LEO: Trust me on this, just don’t go there.

KATHERINE: How did you go?
CHRIS: Oh...good, I just dropped off the 3 beer bottles to forensics; we should have clear prints for Cal Lewis and his buddies by the morning.
KATHERINE: good job.
CHRIS: Yep, I was born to be a bar maid!
KATHERINE: I don’t think so, way too much attitude for that.
CHRIS: You've got no idea about my attitude (smiles)
KATHERINE: I'm willing to take a guess.
CHRIS: Um...that’s a provocative statement Miss Marks.
KATHERINE: was meant to be provocative Constable Dichiera
[Chris Laughs]
KATHERINE: Anyway. You’re um working so ah…
CHRIS: Yes...I'm Working.
KATHERINE: I'm distracting I'll Leave ya to it (walks Away)
[Katherine walks away from Chris and goes and sees Luke, and walks straight back into where Chris is]
CHRIS: Did you forget something?
KATHERINE: (walks over to Chris and kisses her)
CHRIS: (seductively) What are you doing? (Luke walks in...sees everything)

[Next Morning]
CHRIS: Somebody left bite marks on my back last night
KATHERINE: Only on your back?
CHRIS: I was being polite
KATHERINE: Why? You weren't last night
CHRIS: Neither were you
KATHERINE: I was just following a lead
CHRIS: You don't need any leading at all
KATHERINE: I might sometimes
CHRIS: Like when?
KATHERINE: When you want it to be
CHRIS: How bout tonight?
KATHERINE: I'll see how my day pans out…
CHRIS: You know where to find me…
KATHERINE: I know a lot of things about you now…

[Later in the day, Katherine is interviewing Callum Lewis and Leo and Chris are in the Observation Room]
LEO: These pricks get sent away for life
CHRIS: Yeah me too... Oh, by the way, you owe me 20 bucks…
LEO: What for?
[Chris looks at Katherine]
LEO: Bullshit.
CHRIS: I swear.
LEO: You're an idiot, I told you not to do it.
‘CHRIS: Ah… don’t be like that, you’ll get over it.
LEO: Crissy, I’ve already been there, like 2 weeks ago...
CHRIS: Yeah right
LEO: She’s got a blue butterfly tattoo on her right arse cheek...
CHRIS: Why didn’t you tell me!
LEO: I promised Harris I wouldn’t tell anyone…
CHRIS: Harris, why did you promise Harris for?
LEO: Because she's his daughter
CHRIS: Bullshit?
LEO: Well, why do you think he’s been giving me all the crap jobs lately…
CHRIS: Shit, shit, shit, shit!
LEO: Yep you’re in deep shit...

[Leo and Bryan are waiting outside a University building waiting for Callum Lewis to exit so they can arrest him]
BRYAN: You know what, sometimes I really regret not going to University
LEO: Yeah, what would you study?
BRYAN: Study... (laughs) ... mate I wouldn’t be studying anything, I wanna hang around with chicks like that… (points to an attractive blonde teenager)
LEO: Augh…
BRYAN: Augh…
LEO: What your sister?
BRYAN: Ha Ha...shut up

Harris has just told Peter to go undercover at a homeless shelter
Bryan: "Gotta get yourself a nice little cardigan if you're gonna be a social worker"
Harris: "You'll be going as a vagrant"
Pete: "That'd be right"
Bryan: " Even better, typecasting!"

The Complete Package [8.12]Edit

The Contract [8.13]Edit

Vanished [8.14]Edit

Mea Culpa [8.15]Edit

Past Lives [8.16]Edit

I Am The Walrus [8.17]Edit

Dream Machine [8.18]Edit

The Good Oil [8.19]Edit

Dirty Little Secrets [8.20]Edit

Being Josh Brisbane [8.21]Edit

End Game [8.22]Edit

[Angie is rather annoyed after she has found out that Peter and Luke planned a bust on Megan Walsh without informing her]
ANGIE: I expect that sort of shit from Luke, but not from you Pete! We’re mates, and after everything we’ve been through you do not treat mates like that!
PETER: Ange, I’m sorry, I know you’re angry.
ANGIE: ANGRY!? No, I’m bloody furious; I have to calm down a hell of a lot to be angry! You guys run a sting on Megan Walsh; I have every right to be involved! I ran around like a bloody idiot for you, I broke all the rules and for what? To save your miserable arse!
PETER: I understand. But it wasn’t my call.
ANGIE: What!?
PETER: It wasn’t my call.
[Luke walks in]
LUKE: No it wasn’t, it was mine. It was for your own good Ange.
ANGIE: What!?
LUKE: Well If Megan Walsh got even the slightest hint of what was going on the whole thing could have come undone, we needed you to do exactly what you did, be a loyal friend, and you were perfect. And if the shit hit the fan with I.A. there was no point in risking your career as well as ours.
ANGIE: You patronising shithead!! You made a complete fool out of me!
LUKE: Never mind...
ANGIE: That’s irrelevant, and while it makes my stomach turn, that either of you would treat me like that I really only have one thing to say, you two deserve each other, you’re a perfect match!
[Angie leaves]
LUKE: Give her sometime…

Random Harvest [8.23]Edit

[Peter has just found out that Leo’s cover has been blown]
LEO: Well that’s great isn’t it...So how did Troy Jones get my photo!
PETER: Well there police surveillance shots...No question...I checked with our lab.
LUKE: Well how the hell did Troy Jones get his hands on them, unless he has access to someone in the Task Force?
ANGIE: The only one who knows Leo's undercover with the Sumarto’s is Rutherford.
PETER: Buzz Rutherford won’t betray a fellow cop, you don’t know him like I do, I trust him with my life.
LEO: It’s not really your Life on the line now Peter.
LUKE: Alright Leo it’s your call, if you want to pull out now no-one will think the worse of you.
LEO: Oh right, well maybe if I stay in so we can catch Serge's killer and the guy who took the Surveillance Photos, we’ll give it a bit longer
LUKE: Excellent answer. Peter, how would you like to shoot Leo?
PETER: Don’t tempt me!
LUKE: Volunteer for the job. It’s the best way to keep him alive
CHRIS: Good call, he’s a crap shot.
LUKE: Chris you’ll be there as backup, you might also prevent Peter from doing anything he might regret
[Everyone leaves except Angle and Luke]
ANGIE: Are you going to follow up on Rutherford?
LUKE: No...
ANGIE: Why? Cause he’s Peter’s mate?
LUKE: I’m not going to follow up on Rutherford ‘cause you are
[Angie walks off with a rather pleased look on her face]

Hunting Ground [8.24]Edit

Year Of The Snake [8.25]Edit

Head On [8.26]Edit

The Heart Is A Lonely Hunter [8.27]Edit

After The Fact [8.28]Edit


Regular CastEdit

Semi-Regular CastEdit

Ex-Regular CastEdit

External linksEdit